Jean-Louis Forain

1852-1931 French painter, printmaker and illustrator. Around 1860 he moved with his family to Paris, where he was taught by Jacquesson de la Chevreuse (1839-1903), Jean Baptiste Carpeaux and Andre Gill. He participated in the Franco-Prussian War (1870-71) and was a friend of the poets Paul Verlaine and Arthur Rimbaud; the latter is the presumed subject of a portrait (1874; priv. col., see 1982 exh. cat., no. 1) that may have influenced Manet late portrait of Mallarme (1876; Paris, Louvre). Forain first met Manet through his friendship with Degas in the early 1870s at the salon of Nina de Callias. He continued to associate with Manet, meeting the group of young Impressionists at the Cafe Guerbois and the Cafe de la Nouvelle Athenes. In 1878 Forain painted a small gouache, Cafe Scene (New York, Brooklyn Mus.), which probably influenced Manet Bar at the Folies-Bergere (1881-2; London, Courtauld Inst. Gals).


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Jean-Louis Forain The Fisherman oil


The Fisherman
Painting ID::  1237
The Fisherman
1884
1884
   
   
     

Jean-Louis Forain Music Hall oil


Music Hall
Painting ID::  1238
Music Hall
1890
1890
   
   
     

Jean-Louis Forain The Tightrope Walker oil


The Tightrope Walker
Painting ID::  1239
The Tightrope Walker
1880
1880
   
   
     

Jean-Louis Forain The Grief of the Pasha oil


The Grief of the Pasha
Painting ID::  1435
The Grief of the Pasha
1882 Catalogue #300 92.7 x 73.6 cm (36.5 x 29 inches) Joslyn Art Museum, Omaha, Nebraska
   
   
     

Jean-Louis Forain Dancer Standing behind a Stage Prop oil


Dancer Standing behind a Stage Prop
Painting ID::  11491
Dancer Standing behind a Stage Prop
1' 6'' x 2'(46 x 61 cm)Bequest of Etienne Moreau-Nelaton,1927
   
   
     

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     Jean-Louis Forain
     1852-1931 French painter, printmaker and illustrator. Around 1860 he moved with his family to Paris, where he was taught by Jacquesson de la Chevreuse (1839-1903), Jean Baptiste Carpeaux and Andre Gill. He participated in the Franco-Prussian War (1870-71) and was a friend of the poets Paul Verlaine and Arthur Rimbaud; the latter is the presumed subject of a portrait (1874; priv. col., see 1982 exh. cat., no. 1) that may have influenced Manet late portrait of Mallarme (1876; Paris, Louvre). Forain first met Manet through his friendship with Degas in the early 1870s at the salon of Nina de Callias. He continued to associate with Manet, meeting the group of young Impressionists at the Cafe Guerbois and the Cafe de la Nouvelle Athenes. In 1878 Forain painted a small gouache, Cafe Scene (New York, Brooklyn Mus.), which probably influenced Manet Bar at the Folies-Bergere (1881-2; London, Courtauld Inst. Gals).

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