Henry Walton

British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family
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Henry Walton A Gentleman,Said to Be mr Richard Bendyshe with his Favorite Hunter in a Landscape oil


A Gentleman,Said to Be mr Richard Bendyshe with his Favorite Hunter in a Landscape
Painting ID::  27303 		A Gentleman,Said to Be mr Richard Bendyshe with his Favorite Hunter in a Landscape
Oil on canvas 19 1/4 by 23 1/4 in 48.9 by 59.1 cm (mk59)
Oil_on_canvas_ 19_1/4_by_23_1/4_in_48.9_by_59.1_cm_(mk59)
   
   
     
Henry Walton Portrait of a Woman, possibly Miss Nettlethorpe oil


Portrait of a Woman, possibly Miss Nettlethorpe
Painting ID::  93259 		Portrait of a Woman, possibly Miss Nettlethorpe
circa 1770(1770) Medium oil on panel Dimensions 23.5 x 17.8 cm (9.3 x 7 in) cjr
   
   
     
Henry Walton Portrait of a young woman, possibly Miss Nettlethorpe oil


Portrait of a young woman, possibly Miss Nettlethorpe
Painting ID::  93260 		Portrait of a young woman, possibly Miss Nettlethorpe
circa 1770(1770) Medium oil on panel Dimensions 23.5 x 17.8 cm (9.3 x 7 in) cjr
   
   
     
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     Henry Walton
     British Painter , c 1746-1813 He studied in London under Johan Zoffany c. 1769, after which he completed his training at the Maiden Lane Academy. It was probably Zoffany who introduced Walton to the conversation piece, a genre in which he was to specialize. The Cricket Scene at Harrow School (1771; priv. col., see 1963 exh. cat., no. 1) reveals Walton's debt to Zoffany, but it also shows him to be an exceptional colourist and able to compose his figures with a sense of rare warmth and intimacy. By c. 1778, when he painted the Rev. Charles Tyrrell with his Family

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