Louis Gauffier

1762-1801 French Louis Gauffier Gallery French painter. Following his move to Paris, where he became a pupil of Hugues Taraval and a student at the Academie Royale, in 1784 Gauffier shared the Prix de Rome with Jean-Germain Drouais and Antoine-Denis Chaudet (for sculpture), his own work being Christ and the Woman of Canaan (Paris, Ecole N. Sup. B.-A.). During his time in Rome (1785-9) Gauffier worked hard, but his health was poor and the results variable. On his return to Paris he was accepted (agree) by the Academie as a history painter. Soon after, he returned to Rome in order to escape the worsening situation in Revolutionary Paris, although he continued to send his Neo-classical works to the Salon. In March 1790 he married Pauline Chatillon (d July 1801), a portrait painter whom he and Drouais had taught..


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Louis Gauffier Frederic Augustus of Saxony oil


Frederic Augustus of Saxony
Painting ID::  1329
Frederic Augustus of Saxony
1793 Staatliche Kunsthalle, Karlsruhe
1793__ Staatliche_Kunsthalle,_Karlsruhe
   
   
     

Louis Gauffier Portrait de Victor Leopold Berthier oil


Portrait de Victor Leopold Berthier
Painting ID::  79831
Portrait de Victor Leopold Berthier
1799(1799) Oil on canvas cjr
1799(1799) _ Oil_on_canvas _ cjr
   
   
     

Louis Gauffier Pygmalion and Galatea oil


Pygmalion and Galatea
Painting ID::  93902
Pygmalion and Galatea
1797(1797) Medium oil on canvas Dimensions 67.5 x 51.2 cm (26.6 x 20.2 in) cjr
   
   
     

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     Louis Gauffier
     1762-1801 French Louis Gauffier Gallery French painter. Following his move to Paris, where he became a pupil of Hugues Taraval and a student at the Academie Royale, in 1784 Gauffier shared the Prix de Rome with Jean-Germain Drouais and Antoine-Denis Chaudet (for sculpture), his own work being Christ and the Woman of Canaan (Paris, Ecole N. Sup. B.-A.). During his time in Rome (1785-9) Gauffier worked hard, but his health was poor and the results variable. On his return to Paris he was accepted (agree) by the Academie as a history painter. Soon after, he returned to Rome in order to escape the worsening situation in Revolutionary Paris, although he continued to send his Neo-classical works to the Salon. In March 1790 he married Pauline Chatillon (d July 1801), a portrait painter whom he and Drouais had taught..

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