Cornelis de Heem

Dutch Baroque Era Painter, 1631-1695 Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.


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Cornelis de Heem Still Life with Flowers oil


Still Life with Flowers
Painting ID::  1591
Still Life with Flowers
1660
1660
   
   
     

Cornelis de Heem Vanitas Still-Life with Musical Instruments after 1661 oil


Vanitas Still-Life with Musical Instruments after 1661
Painting ID::  52234
Vanitas Still-Life with Musical Instruments after 1661
1661 Oil on canvas, 153 x 166,5 cm
1661_Oil_on_canvas,_153_x_166,5_cm
   
   
     

Cornelis de Heem A Garland of Fruit oil


A Garland of Fruit
Painting ID::  76286
A Garland of Fruit
Date 17th century Medium Oil on oak panel Dimensions 34.6 ?? 27.3 cm (13.6 ?? 10.7 in) cyf
   
   
     

Cornelis de Heem Still-Life with Oysters, Lemons and Grapes oil


Still-Life with Oysters, Lemons and Grapes
Painting ID::  86527
Still-Life with Oysters, Lemons and Grapes
Date 1660s Medium Oil on oak Dimensions Height: 37 cm (14.6 in). Width: 45 cm (17.7 in). cjr
   
   
     

Cornelis de Heem Still-Life with Oysters oil


Still-Life with Oysters
Painting ID::  89365
Still-Life with Oysters
1660s Medium oil on oak cyf
1660s _ Medium_oil_on_oak _ cyf
   
   
     

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     Cornelis de Heem
     Dutch Baroque Era Painter, 1631-1695 Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.

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