Theodor Esbern Philipsen

1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south
       Prev  1   Next
  Prev Artist       Next Artist     
   
    
Theodor Esbern Philipsen Street in Tunis oil


Street in Tunis
Painting ID::  54337 		Street in Tunis
mk235 1882 Oil on oilcloth 40x47cm
mk235 1882 Oil_on_oilcloth 40x47cm
   
   
     
Theodor Esbern Philipsen A Lane at Kastrup oil


A Lane at Kastrup
Painting ID::  54353 		A Lane at Kastrup
mk235 1891 Oil on canvas 55x82cm
mk235 1891 Oil_on_canvas 55x82cm
   
   
     
Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine oil


A Late Autumn Day in Dyrehaven, Sunshine
Painting ID::  79936 		A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cjr
Oil_on_canvas,_66.5_x_84.5_cm_ Date_1886(1886) _ cjr
   
   
     
Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine oil


A Late Autumn Day in Dyrehaven, Sunshine
Painting ID::  83909 		A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cyf
Oil_on_canvas,_66.5_x_84.5_cm_ Date_1886(1886) _ cyf
   
   
     
       Prev  1   Next
Prev Artist       Next Artist     
     Theodor Esbern Philipsen
     1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings