RENI, Guido

Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
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RENI, Guido Atalanta and Hippomenes ftu oil


Atalanta and Hippomenes ftu
Painting ID::  8864 		Atalanta and Hippomenes ftu
c. 1612 Oil on canvas, 206 x 297 cm Museo del Prado, Madrid
   
   
     
RENI, Guido Atalanta and Hippomenes dre6 oil


Atalanta and Hippomenes dre6
Painting ID::  8865 		Atalanta and Hippomenes dre6
1622-25 Oil on canvas Museo Nazionale di Capodimonte, Naples
   
   
     
RENI, Guido Drinking Bacchus sty oil


Drinking Bacchus sty
Painting ID::  8866 		Drinking Bacchus sty
c. 1623 Oil on canvas, 72 x 56 cm Gemäldegalerie, Dresden
   
   
     
RENI, Guido The Boy Bacchus sy oil


The Boy Bacchus sy
Painting ID::  8867 		The Boy Bacchus sy
1615-20 Oil on canvas, 87 x 70 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     
RENI, Guido Baptism of Christ xhg oil


Baptism of Christ xhg
Painting ID::  8868 		Baptism of Christ xhg
c. 1623 Oil on canvas, 263,5 x 186,5 cm Kunsthistorisches Museum, Vienna
   
   
     
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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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