Gustave Boulanger

(1824-88) was a French figure painter known for his Neo-Grec style. He was born at Paris, studied with Delaroche and Jollivet, and in 1849 took the Prix de Rome. His paintings are prime examples of academic art of the time, particularly history painting. Boulanger had visited Italy, Greece, and North Africa, and his paintings reflect his attention to culturally correct details and skill in rendering the female form. His works include a Moorish Cafe (1848), Cæsar at the Rubicon (1865), the Promenade in the Street of Tombs, Pompeii (1869), and The Slave Market (1888). The recipient of many medals, he became a member of the Institut de France in 1882.
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Gustave Boulanger Le marche aux esclaves - The Slave Market oil


Le marche aux esclaves - The Slave Market
Painting ID::  80705 		Le marche aux esclaves - The Slave Market
Painting entitled Le march aux esclave. The Slave Market, Oil on canvas Date before 1882(1882) cjr
   
   
     
Gustave Boulanger Portrait of Adele Hugo oil


Portrait of Adele Hugo
Painting ID::  80730 		Portrait of Adele Hugo
1839(1839) Medium Oil on canvas Dimensions 116 x 90 cm (45.7 x 35.4 in) cyf
   
   
     
Gustave Boulanger An Arab Horseman oil


An Arab Horseman
Painting ID::  81977 		An Arab Horseman
Oil on canvas, 54 x 82 cm (21.3 x 32.3 in) Date 1865(1865) cyf
   
   
     
Gustave Boulanger Cest Un Emir oil


Cest Un Emir
Painting ID::  83677 		Cest Un Emir
Oil on canvas, 71 x 104 cm (28 x 40.9 in) Date 1870(1870) cyf
   
   
     
Gustave Boulanger Le march aux esclaves oil


Le march aux esclaves
Painting ID::  84896 		Le march aux esclaves
Date before 1882 cyf
Date_before_1882 _cyf
   
   
     
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     Gustave Boulanger
     (1824-88) was a French figure painter known for his Neo-Grec style. He was born at Paris, studied with Delaroche and Jollivet, and in 1849 took the Prix de Rome. His paintings are prime examples of academic art of the time, particularly history painting. Boulanger had visited Italy, Greece, and North Africa, and his paintings reflect his attention to culturally correct details and skill in rendering the female form. His works include a Moorish Cafe (1848), Cæsar at the Rubicon (1865), the Promenade in the Street of Tombs, Pompeii (1869), and The Slave Market (1888). The recipient of many medals, he became a member of the Institut de France in 1882.

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