100% hand painted oil painting  

 

HOME

Artist: Andrea Soldi
Portrait of Thomas Sheppard
ID::. 76754
48x72 INS or 120x180 CM

BACK



Width: INS
Height: INS 
     
 
90 days guarantee
  
If you buy picture frames with quantity, click HERE for BIG discount.
Click & Choose
Portrait of Thomas Sheppardstretcherstretched


   Andrea Soldi Portrait of Thomas Sheppard   

Would you like old masters work for your portrait? Click here!
  
Tell us your location & get a best quotation!
EMAIL US
   How do we stretch your painting?   Terms & Conditions

 



Here are some oil paintings we have painted!

 

Andrea Soldi

Italian C1703-1771 Italian painter. George Vertue, the only source for Soldi's earliest years, described him in 1738 as a Florentine aged 'about thirty-five or rather more' who had been in England 'about two years'. He had previously been in the Middle East, where he painted some British merchants of the Levant Company who had advised him to go to London. Two three-quarter-length portraits called Thomas Sheppard (1733 and 1735-6; ex-art market, London, 1917 and 1924, see Ingamells, 1974) belong to this period. In London Soldi enjoyed considerable success in the period between 1738 and 1744; Vertue reported that he began 'above thirty portraits' between April and August 1738. He was extensively patronized by the 2nd and 3rd Dukes of Manchester (eight portraits, sold Kimbolton Castle, Cambs, 18 July 1949), the 3rd Duke of Beaufort (four portraits at Badminton House, Glos) and the 4th Viscount Fauconberg (eight portraits at Newburgh Priory, N. Yorks). The seated three-quarter-length of Isabella, Duchess of Manchester, as Diana (1738; London, Colnaghi's, 1986) and the informal full-length of Lord Fauconberg (c. 1739; Newburgh Priory, N. Yorks) exemplify his lively handling, strong colour and theatrical, Italianate imagination. In a less extravagant vein, the Duncombe Family (1741; priv. col., see Ingamells, 1974), a conversation piece of some charm, and the Self-portrait (1743; York, C.A.G.) suggest a versatile talent. Soldi's bravura contrasted with contemporary English portrait practice, then wavering between the sober manner of Kneller and a playful Rococo, and his attraction for Italianate Englishmen was obvious. He was rivalled only by Jean-Baptiste van Loo, who was in London between 1737 and 1742; both artists painted the dealer Owen McSwiny and the poet Colley Cibber about 1738. He far outclassed his Italian rivals, the Cavaliere Rusca (1696-1769), who worked in London from 1738 to 1739, and Andrea Casali, who was in London from 1741 to 1766.
ID: 76754 Portrait of Thomas Sheppard 1733(1733) Oil on canvas 53 1/2 x 39 1/2 in (135.9 x 100.3 cm) cjr









 

Wholesale China Oil Painting, Frame, Mirror Directly From Factory



 CLOSE

Hang Your Painting On Wall Now!   Email

Andrea Soldi


ORIGINALS