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All Dyck, Anthony van Oil Paintings


    

     Artist Introduction: Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
     

Dyck, Anthony van Susanna Fourment and her Daughter china oil painting artist


Susanna Fourment and her Daughter
Painting ID::  19013
  1620-21 oil on canvas National Gallery of Art, Washington D.C.
 

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Related Paintings to Dyck, Anthony van :.
| Anbetung der Heiligen Drei Konige | The informing of Montezuma | Portrait of Thorvaldsen Italian mistress, Anna Maria Magnani | the accounting lectern and room | Allegory of Summer. |


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