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Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Boy holding a Flute painting


Boy holding a Flute
Boy holding a Flute
Painting ID::  80577
   Date 1626-1628 Medium Oil on panel cjr
  Date 1626-1628 Medium Oil on panel cjr

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Boy holding a Flute painting


Boy holding a Flute
Boy holding a Flute
Painting ID::  84782
   1626-1628 Medium Oil on panel Dimensions Ø 37.5 cm (14.76 in) cyf
  1626-1628 Medium Oil on panel Dimensions Ø 37.5 cm (14.76 in) cyf

 
 
   
      

Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Frans Hals Boy holding a Flute painting


Boy holding a Flute
Boy holding a Flute
Painting ID::  88105
   between 1626(1626) and 1628(1628) Medium Oil on circular panel cyf
  between 1626(1626) and 1628(1628) Medium Oil on circular panel cyf

 
 
   
      
Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
Boy holding a Flute
between 1626(1626) and 1628(1628) Medium Oil on circular panel cyf
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| Maraba | Chardin bust self portrait | Arnauts of Cairo at the Gate of Bab-el-Nasr | The Refusal from Burns's Song of 'Duncan Gray' | Self-portrait |

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