German, 1803-1884
German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
Details of The Schreckenstein Crossing
Details of The Schreckenstein Crossing
Painting ID:: 30318
German, 1803-1884
German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
Details of The Schreckenstein Crossing
Details of The Schreckenstein Crossing
Painting ID:: 30320
German, 1803-1884
German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.
Details of The Schreckenstein Crossing
Details of The Schreckenstein Crossing
Painting ID:: 30321
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A state of bliss that made us silent
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A state of bliss that made us silent
Adrian Ludwig Richter German, 1803-1884
German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period. Details of The Schreckenstein Crossing nn05
A state of bliss that made us silent