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Andrea del Castagno

Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

Andrea del Castagno Equestrian Statue of Niccolo da Tolentino painting


Equestrian Statue of Niccolo da Tolentino
Equestrian Statue of Niccolo da Tolentino
Painting ID::  94650
  1456 Type Fresco Dimensions 833 cm x 512 cm (328 in x 202 in) cyf
  1456 Type Fresco Dimensions 833 cm x 512 cm (328 in x 202 in) cyf

 

 
   
      

Andrea del Castagno
Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
Equestrian Statue of Niccolo da Tolentino
1456 Type Fresco Dimensions 833 cm x 512 cm (328 in x 202 in) cyf

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Related Paintings to Andrea del Castagno :.
| christ on the cross | Seaport with the Embarkation of Saint Ursula | Portrait of Alexander Sakharoff, 1909 | La Hollandais | Allegory of Virtue and Vice |


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