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Francisco de Zurbaran

1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..

Francisco de Zurbaran Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  29522
  1658 Oil on canvas, 101 x 78 cm
  1658 Oil on canvas, 101 x 78 cm

 

 
   
      

SASSETTA

Italian Early Renaissance Painter, ca.1390-1450

SASSETTA Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  33284
  mk83 c.1450 Oil on wood 91x65cm
  mk83 c.1450 Oil on wood 91x65cm

 

 
   
      

GIAMBONO, Michele

Italian painter, Venetian school (known 1420-1462 in Venice)

GIAMBONO, Michele Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  41191
  mk157 early 15th century tempera on wood
  mk157 early 15th century tempera on wood

 

 
   
      

Pietro Perugino

Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

Pietro Perugino Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  83614
  Date 1501(1501) Medium Oil on wood Dimensions Height: 70 cm (27.6 in). Width: 51 cm (20.1 in). cjr
  Date 1501(1501) Medium Oil on wood Dimensions Height: 70 cm (27.6 in). Width: 51 cm (20.1 in). cjr

 

 
   
      

Francesco Botticini

Florence 1446-1497

Francesco Botticini Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  86279
  1490(1490) Medium Oil on wood cyf
  1490(1490) Medium Oil on wood cyf

 

 
   
      

Pietro Perugino

Italian 1450-1523 Pietro Perugino Galleries Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space, was taken up by Raphael and became widely influential throughout Europe.

Pietro Perugino Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  87474
  1501(1501) Medium Oil on wood cyf
  1501(1501) Medium Oil on wood cyf

 

 
   
      

Carlo Crivelli

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

Carlo Crivelli Madonna with Child painting


Madonna with Child
Madonna with Child
Painting ID::  94653
  1470 (1470) Location Pinacoteca de Macerata cyf
  1470 (1470) Location Pinacoteca de Macerata cyf

 

 
   
      

Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
Madonna with Child
1470 (1470) Location Pinacoteca de Macerata cyf

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Related Paintings to Carlo Crivelli :.
| Enclosed Field with Risihng Sun (nn04) | The Chancel and Crossing of Tintern Abbey,Looking towards the East Window | Susanna vecchioni | bondgard med bjorkar | A Lady Drinking and a Gentleman (detail) ar |


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