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Art Work: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

Odalisque and Slave
Odalisque and Slave
Painting ID:: 10482

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1842. Oil on canvas Walters Art Gallery, Baltimore, MD, USA
1842. Oil on canvas Walters Art Gallery, Baltimore, MD, USA

Jean-Auguste-Dominique Ingres

1780-1867 French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original.

odalisque and slave
odalisque and slave
Painting ID:: 56217

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mk247 1842,oil on canvas,29.5x41.5 in,75x105.4 cm,walters art gallery,baltimore,md,uas
mk247 1842,oil on canvas,29.5x41.5 in,75x105.4 cm,walters art gallery,baltimore,md,uas

Jean-Auguste-Dominique Ingres
1780-1867 French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original.
odalisque and slave
mk247 1842,oil on canvas,29.5x41.5 in,75x105.4 cm,walters art gallery,baltimore,md,uas

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