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Pietro Antonio Rotari

Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna painting


Portrait of Grand Duchess Yekaterina Alexeyevna
Portrait of Grand Duchess Yekaterina Alexeyevna
Painting ID::  75753
   1761 Oil on canvas 60 ?? 48 cm (23.6 ?? 18.9 in) cjr
  1761 Oil on canvas 60 ?? 48 cm (23.6 ?? 18.9 in) cjr

 
 
   
      

Pietro Antonio Rotari

Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna painting


Portrait of Grand Duchess Yekaterina Alexeyevna
Portrait of Grand Duchess Yekaterina Alexeyevna
Painting ID::  77522
   Date 1761 (?) Medium Oil on canvas Dimensions 60 ?? 48 cm (23.6 ?? 18.9 in) cyf
  Date 1761 (?) Medium Oil on canvas Dimensions 60 ?? 48 cm (23.6 ?? 18.9 in) cyf

 
 
   
      

Pietro Antonio Rotari

Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna painting


Portrait of Grand Duchess Yekaterina Alexeyevna
Portrait of Grand Duchess Yekaterina Alexeyevna
Painting ID::  78273
   1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf
  1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf

 
 
   
      
Pietro Antonio Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
Portrait of Grand Duchess Yekaterina Alexeyevna
1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf
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Related Paintings to Pietro Antonio Rotari :.
| Man of Sorrows | Frederic Leighton (mk23) | Le Pont de L-Europe,Gare Saint-Lazare | Senecio2 | infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade |

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