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Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
Caravaggio St. Paul s conversion painting


St. Paul s conversion
St. Paul s conversion
Painting ID::  56854
   mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around.
  mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around.

 
 
   
      
Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
St. Paul s conversion
mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around.
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