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BROEDERLAM, Melchior

Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy.

BROEDERLAM, Melchior The Presentation in the Temple and The Flight to Egypt painting


The Presentation in the Temple and The Flight to Egypt
The Presentation in the Temple and The Flight to Egypt
Painting ID::  33352
  mk86 1394-1399 Tempera on wood 167x130cm Musee des Beaux-Arts
  mk86 1394-1399 Tempera on wood 167x130cm Musee des Beaux-Arts

 

 
   
      

BROEDERLAM, Melchior
Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy.
The Presentation in the Temple and The Flight to Egypt
mk86 1394-1399 Tempera on wood 167x130cm Musee des Beaux-Arts

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| Young Drinker | Charles Rene Magon (1763-1805), contre-amiral | The Allegory of Faith (detail) r | No title | Symbolic Representaton of the Crucifixion |


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