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Frederick Walker,ARA,RWS

1840-1875 English painter and illustrator. He acquired his training in drawing and painting through study in the British Museum (where he copied heavily from the Antique), a short period spent in an architect's office, life classes at Leigh's school, a studentship at the Royal Academy and three years' employment as a draughtsman on wood with the commercial engraver Josiah Wood Whymper (1813-1903).

Frederick Walker,ARA,RWS The Vagrants painting


The Vagrants
The Vagrants
Painting ID::  28020
  1867 Oil on canvas 83.2 x 126.4cm(32 3/4 x 53 3/8 in) Tate Gallery London (mk63)
  1867 Oil on canvas 83.2 x 126.4cm(32 3/4 x 53 3/8 in) Tate Gallery London (mk63)

 

 
   
      

Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

Camille Pissarro The Vagrants painting


The Vagrants
The Vagrants
Painting ID::  35531
  mk103 1896 24.8x29.4
  mk103 1896 24.8x29.4

 

 
   
      

Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
The Vagrants
mk103 1896 24.8x29.4

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Related Paintings to Camille Pissarro :.
| Kopf eines bartigen Kindes | The Escape of Rochefort | Jove and Semele | Portrait of a Man | In Austria Duke Varser |


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