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ZUCCHI, Jacopo

Italian Painter, ca.1540-1596. Jacopo Zucchi was an Italian painter of the Florentine school. Italian painter and draughtsman. He was trained in the studio of Vasari, whom he assisted in the decoration of the Palazzo Vecchio, Florence, as early as 1557. He accompanied Vasari to Pisa in 1561, from when dates his earliest known drawing, Aesculapius (London, BM). Between 1563 and 1565 he was again in Florence and is documented working with Vasari, Joannes Stradanus and Giovan Battista Naldini on the ceiling of the Sala Grande (Salone dei Cinquecento) in the Palazzo Vecchio; a drawing of an Allegory of Pistoia (Florence, Uffizi) is related to the ceiling allegories of Tuscan cities. In 1564 Zucchi entered the Accademia del Disegno and contributed to the decorations erected for the funeral of Michelangelo. He travelled to Rome with Vasari and was his chief assistant on decorations in the Vatican in 1567 and 1572,
ZUCCHI, Jacopo The Golden Age painting


The Golden Age
The Golden Age
Painting ID::  29874
   mk67 Oil on panel 19 11/16x15 1/8in Uffizi,Gallery
  mk67 Oil on panel 19 11/16x15 1/8in Uffizi,Gallery

 
 
   
      

Aby Altson

Australian Classicist Painter, 1864-1949
Aby Altson The golden age painting


The golden age
The golden age
Painting ID::  32757
   mk80 1893 oil on canvas 141.5x250.5cm
  mk80 1893 oil on canvas 141.5x250.5cm

 
 
   
      

ZUCCHI, Jacopo

Italian Painter, ca.1540-1596. Jacopo Zucchi was an Italian painter of the Florentine school. Italian painter and draughtsman. He was trained in the studio of Vasari, whom he assisted in the decoration of the Palazzo Vecchio, Florence, as early as 1557. He accompanied Vasari to Pisa in 1561, from when dates his earliest known drawing, Aesculapius (London, BM). Between 1563 and 1565 he was again in Florence and is documented working with Vasari, Joannes Stradanus and Giovan Battista Naldini on the ceiling of the Sala Grande (Salone dei Cinquecento) in the Palazzo Vecchio; a drawing of an Allegory of Pistoia (Florence, Uffizi) is related to the ceiling allegories of Tuscan cities. In 1564 Zucchi entered the Accademia del Disegno and contributed to the decorations erected for the funeral of Michelangelo. He travelled to Rome with Vasari and was his chief assistant on decorations in the Vatican in 1567 and 1572,
ZUCCHI, Jacopo The golden age painting


The golden age
The golden age
Painting ID::  39402
   mk148 The story of the Rechabiter receives out of the Greek and Roman delivery the Idde of the four age of the world its first that" golden", in Christianity with the garden Eden and the dwelling of the blessed in connection brought became
  mk148 The story of the Rechabiter receives out of the Greek and Roman delivery the Idde of the four age of the world its first that" golden", in Christianity with the garden Eden and the dwelling of the blessed in connection brought became

 
 
   
      

Pietro da Cortona

1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
Pietro da Cortona The Golden Age painting


The Golden Age
The Golden Age
Painting ID::  43580
   1641-46
  1641-46

 
 
   
      
Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.
The Golden Age
1641-46
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