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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
Canaletto The Stonemason s Yard painting


The Stonemason s Yard
The Stonemason s Yard
Painting ID::  5585
   1726-30 Oil on canvas, 124 x 163 cm National Gallery, London
  1726-30 Oil on canvas, 124 x 163 cm National Gallery, London

 
 
   
      

Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
Canaletto the stonemason s yard painting


the stonemason s yard
the stonemason s yard
Painting ID::  56110
   mk247 1727 to 28 ,oil on canvas,48.75x64.125 in,124x163 cm,national gallery,london,uk
  mk247 1727 to 28 ,oil on canvas,48.75x64.125 in,124x163 cm,national gallery,london,uk

 
 
   
      
Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
the stonemason s yard
mk247 1727 to 28 ,oil on canvas,48.75x64.125 in,124x163 cm,national gallery,london,uk
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| Bernhardine Christiane Sophie von Sachsen-Weimar (1724-1757), Furstin von Schwarzburg-Rudolstadt | Guardian angel | Bridge | The gray background of the figure | Castle on a Hill |

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