All Caravaggio Oil Paintings

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
 

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Caravaggio The Incredulity of Saint Thomas dsf oil on canvas


The Incredulity of Saint Thomas dsf
The Incredulity of Saint Thomas dsf
Painting ID::  5772
  1601-02 Oil on canvas, 107 x 146 cm Sanssouci, Potsdam
  1601-02 Oil on canvas, 107 x 146 cm Sanssouci, Potsdam

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Caravaggio Supper at Emmaus gg oil on canvas


Supper at Emmaus gg
Supper at Emmaus gg
Painting ID::  5773
  1601-02 Oil on canvas, 139 x 195 cm National Gallery, London
  1601-02 Oil on canvas, 139 x 195 cm National Gallery, London

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Caravaggio Supper at Emmaus (detail) fg oil on canvas


Supper at Emmaus (detail) fg
Supper at Emmaus (detail) fg
Painting ID::  5774
  1601-02 Oil on canvas National Gallery, London
  1601-02 Oil on canvas National Gallery, London

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Caravaggio Supper at Emmaus (detail) fdg oil on canvas


Supper at Emmaus (detail) fdg
Supper at Emmaus (detail) fdg
Painting ID::  5775
  1601-02 Oil on canvas National Gallery, London
  1601-02 Oil on canvas National Gallery, London

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Caravaggio Amor Victorious dsf oil on canvas


Amor Victorious dsf
Amor Victorious dsf
Painting ID::  5776
  1602-03 Oil on canvas, 156 x 113 cm Staatliche Museen, Berlin
  1602-03 Oil on canvas, 156 x 113 cm Staatliche Museen, Berlin

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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