All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 
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Domenichino Recreation by our Gallery oil on canvas


Recreation by our Gallery
Recreation by our Gallery
Painting ID::  32575 		  mk79 1614
  mk79 1614

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  INS/CM       Quality

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Domenichino The Assumption of Mary Magdalen into Heaven oil on canvas


The Assumption of Mary Magdalen into Heaven
The Assumption of Mary Magdalen into Heaven
Painting ID::  33559 		  mk86 c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage
  mk86 c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage

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Domenichino The Maiden and the Unicorn oil on canvas


The Maiden and the Unicorn
The Maiden and the Unicorn
Painting ID::  33579 		  mk86 c.1602 Fresco,Rome Palazzo Farnese
  mk86 c.1602 Fresco,Rome Palazzo Farnese

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Domenichino Saint George Killing the Dragon oil on canvas


Saint George Killing the Dragon
Saint George Killing the Dragon
Painting ID::  43088 		  mk170 circa 1610 Oil on wood 52.7x61.8cm
  mk170 circa 1610 Oil on wood 52.7x61.8cm

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Domenichino Landscape with Tobias as far hold of the fish oil on canvas


Landscape with Tobias as far hold of the fish
Landscape with Tobias as far hold of the fish
Painting ID::  53788 		  mk234 probably ca 1617-18 45x34cm
  mk234 probably ca 1617-18 45x34cm

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  INS/CM       Quality

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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