RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


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RAFFAELLO Sanzio Angel fragment of the Baronci Altarpiece oil


Angel fragment of the Baronci Altarpiece
Painting ID::  74345
Angel fragment of the Baronci Altarpiece
Unknown date Medium Oil on panel Dimensions 31 X 27cm cyf
   
   
     

RAFFAELLO Sanzio Portrait de Jeanne d Aragon oil


Portrait de Jeanne d Aragon
Painting ID::  77755
Portrait de Jeanne d Aragon
Oil Dimensions 95 ?? 120 cm (37.4 ?? 47.2 in) cyf
Oil _ Dimensions_95_??_120_cm_(37.4_??_47.2_in) _ cyf
   
   
     

RAFFAELLO Sanzio Raffael oil


Raffael
Painting ID::  78687
Raffael
1518-1519 Medium Deutsch: Öl auf Holz cyf
1518-1519 _ Medium_Deutsch:_Öl_auf_Holz_ cyf
   
   
     

RAFFAELLO Sanzio Portrat des Papstes Leo X oil


Portrat des Papstes Leo X
Painting ID::  79347
Portrat des Papstes Leo X
1518-1519 Medium Deutsch: Öl auf Holz cyf
1518-1519 _ Medium_Deutsch:_Öl_auf_Holz_ cyf
   
   
     

RAFFAELLO Sanzio Donna Velata oil


Donna Velata
Painting ID::  79735
Donna Velata
oil on canvas, 85 x 64 cm 1512/1513 cjr
oil_on_canvas,_85_x_64_cm_ 1512/1513 cjr
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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