RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,


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RAFFAELLO Sanzio The Vision of Ezekiel oil


The Vision of Ezekiel
Painting ID::  88341
The Vision of Ezekiel
1518(1518) Medium Oil on wood cyf
1518(1518) _ Medium_Oil_on_wood _ cyf
   
   
     

RAFFAELLO Sanzio Portrait of Tommaso Inghirami oil


Portrait of Tommaso Inghirami
Painting ID::  88342
Portrait of Tommaso Inghirami
between 1510(1510) and 1514(1514) Medium Oil on wood cyf
   
   
     

RAFFAELLO Sanzio St Sebastian oil


St Sebastian
Painting ID::  88409
St Sebastian
between 1501(1501) and 1502(1502) Medium Oil on wood cyf
   
   
     

RAFFAELLO Sanzio Spozalizio oil


Spozalizio
Painting ID::  89132
Spozalizio
1504(1504) Medium Oil on roundheaded panel cyf
1504(1504) _ Medium_Oil_on_roundheaded_panel _ cyf
   
   
     

RAFFAELLO Sanzio Spozalizio oil


Spozalizio
Painting ID::  89133
Spozalizio
1504(1504) Medium Oil on roundheaded panel cyf
1504(1504) _ Medium_Oil_on_roundheaded_panel _ cyf
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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