La Chine Pétrole en gros Peignant le Cadre Moulant Mirro Chine


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John Berney Ladbrooke John Berney Ladbrooke
United Kingdom (1803 -1879 ) - Painter
John Bettes the Elder John Bettes the Elder
(active c. 1531 - 1570) was a Tudor artist whose few known paintings date from between about 1543 and 1550. His most famous work is his Portrait of a Man in a Black Cap. His son John Bettes the Younger, with whom he is sometimes confused, was a pupil of Nicholas Hilliard who painted portraits during the reign of Elizabeth I and James I. Nothing is known of John Bettes's life, except that he was living in Westminster in 1556, according to a documented court case. He is first recorded as working for Henry VIII at Whitehall Palace in 1531. Queen Catherine Parr's accounts for 1546/47 record payments to Bettes for "lymning" (painting in miniature) the king's and queen's portraits, and for six other portraits. Her new year's gift of 1547 to Prince Edward was a pair of portraits of the king and herself. Bettes has been identified as the designer of the engraved title-border for William Cuningham's Cosmographical Glasse, printed by John Day in 1559. He may also be the designer of engravings for Edward Hall's Chronicle, published in 1550, and of a woodcut portrait of Franz Burchard, the Saxon ambassador to England, published in 1560. In 1576, John Foxe referred to Bettes as already dead. An earlier second edition of Foxe's Actes and Monuments printed in 1570 refers to Bettes' death.
John Blake White John Blake White
(1781 - 1859). painted The Battle of Fort Moultrie in 1826
John Boultbee John Boultbee
1753-1812
John Boyne John Boyne
British 1750-1810
John Brett John Brett
John Brett (1831-1902) was an artist associated with the Pre-Raphaelite movement (although is not considered to be a Pre-Raphaelite painter himself), mainly notable for his highly detailed landscapes. Brett was born near Reigate on 8 December 1831, the son of an army vet. In 1851 he began lessons in art with James Duffield Harding, a landscape painter. He also studied with Richard Redgrave. In 1853 he entered the Royal Academy schools, but was more interested in the ideas of John Ruskin and William Holman Hunt, whom he met through his friend the poet Coventry Patmore. Inspired by Hunt's ideal of scientific landscape painting Brett visited Switzerland, where he worked on topographical landscapes and came under the further influence of John William Inchbold.
John brett,a.r.a John brett,a.r.a
1830-1902
John brett,ARA John brett,ARA
1830-1902
John Burr John Burr
Scottish, 1831-1893
John Cecil Clay John Cecil Clay
Illustrator and genre, caricature painter American 1875-1930
John Charles Dollman John Charles Dollman
British, 1851-1934
John Charlton John Charlton
1849-1917
John Cleveley John Cleveley
circa 1712?C77 English painter, born in Southwark, London. Cleveley did not come from an artistic background
John Closterman John Closterman
John Closterman (1660-1711) (also spelled Cloosterman, Klosterman), portrait-painter, born in Osnabruck, the son of an artist, who taught him the rudiments of design. In 1679 he went to Paris, accompanied by his countryman Tiburen, and there worked under Francois de Troy. In 1681 he came to England, and painted draperies for John Riley, at whose death, in 1691, Closterman finished several of his portraits. This recommended him to the Duke of Somerset, but he lost his favour on account of a dispute about a picture of Guercino, specially acquired for his grace, and which was afterwards purchased by Lord Halifax. In 1696 he was invited to the court of Spain, and executed the portraits of the king and queen; he also went to Italy twice, and made several acquisitions of works of art. On returning to England he obtained considerable employment, and married an Englishwoman. He buried his wife, Hannah, on 27 January 1702. According to Arnold Houbraken, he later took a mistress, who then ruined him by her extravagant habits, and ultimately left him in a state of dejection of body and mind that led to his ultimate decline. Jacob Campo Weyerman, who took much of his biographical material from Houbraken, states "Closterman had taken a beautiful mistress who, while he was away in the country, robbed him of his valuables and disappeared, actions which drove the painter into madness". He died in 1711, and was buried in Covent Garden churchyard.
John Collier John Collier
English Classicist Painter, 1850-1934
John Constable John Constable
1776-1837 British John Constable Locations
John Crome John Crome
English Romantic Painter, 1768-1821
John Currey Marin John Currey Marin
American artist , b.1870 d.1953
john D.rockefeller john D.rockefeller
new york metropolian museum, cloisters collection
John Dalbiac Luard John Dalbiac Luard
LD 1872-1944 Nationality: English
John Downman John Downman
English Painter, ca.1750-1824
John Durand John Durand
American. active1766-1782
John Edward Brett John Edward Brett
1830-1902 English
John emms John emms
1843-1912
John Evan Hodgson John Evan Hodgson
painted The french naturalist in Algiers 1879
John F Herring John F Herring
1795-1865 British
John F.Francis John F.Francis
American Painter, 1808-1886
John Ferguson Weir John Ferguson Weir
American painter and sculptor. 1841-1926
John Ferneley John Ferneley
British d 1862
john florio john florio
known in Italian as Giovanni Florio, was an accomplished linguist and lexicographer, a royal language tutor at the Court of James I, a probable close friend and influence on William Shakespeare. He was also the translator of Montaigne.
John Ford Paterson John Ford Paterson
Australian, 1851-1912
John Francis Murphy John Francis Murphy
(December 11, 1853 - January 30, 1921), American landscape painter. He was born at Oswego, New York and first exhibited at the National Academy of Design in 1876, and was made an associate in 1885 and a full academician two years later. He became a member of the Society of American Artists (1901) and of the American Watercolor Society. At first influenced by Wyant and Inness, after 1900 he attacked the modern problems of light and air, thus combining the old and new theories of landscape painting. His chief characteristics are extreme refinement and charm, poetic sentiment, and beauty of surface. His composition is simple and his rendering of soil unique. A past master of values, he preferred the quiet and subdued aspects of nature. He received numerous awards, including a gold medal at Charleston (1902) and the Inness medal in 1910.
John Frederick Kensett John Frederick Kensett
American Hudson River School Painter, 1816-1872
John Frederick Lewis John Frederick Lewis
1805-1876 British John Frederick Lewis Gallery
John Frederick Peto John Frederick Peto
1854-1907 John Frederick Peto Gallery
John French Sloan John French Sloan
(August 2, 1871 - September 7, 1951) was a U.S. artist. As a member of The Eight, a group of American artists, he became a leading figure in the Ashcan School of realist artists. He was known for his urban genre painting and ability to capture the essence of neighborhood life in New York City, often through his window. Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century",and an "early twentieth-century realist painter who embraced the principles of socialism and placed his artistic talents at the service of those beliefs."
John Frost John Frost
1890-1936
John Gadsby Chapman John Gadsby Chapman
American Painter, 1808-1889
John Garrick John Garrick
painted The Death of King Arthur in 1862
John George Brown John George Brown
1831-1913 John George Brown Galleries
John Giles Eccardt John Giles Eccardt
John Giles Eccardt (1720 - 1779) was a German-born British portrait painter. He came to England in the company of the French painter Jean-Baptiste van Loo for whom he worked as an assistant. When Van Loo departed the country, Eccardt remained and set up a portrait-painting business. In the following years he did portraits of a number of leading members of British society including twenty six of his chief patron Horace Walpole. He died in 1779.
John glover John glover
English-born Australian Painter, 1767-1849
John Gould John Gould
1804 - 1881. (Born Sept. 14, 1804, Lyme Regis, Dorsetshire, England. Died Feb. 3, 1881, London)
John Greenhill John Greenhill
(c. 1644 -19 May 1676) was an English portrait painter, a pupil of Peter Lely, who approached his teacher in artistic excellence, but whose life was cut short by a dissolute lifestyle. Greenhill was born at Salisbury, Somerset (now Wiltshire) around 1644, the eldest son of John Greenhill, registrar of the diocese of Salisbury, and Penelope Champneys, daughter of Richard Champneys of Orchardleigh, Somerset. His grandfather was Henry Greenhill of Steeple Ashton in Wiltshire. His father was connected through his brothers with the East India trade. Greenhill's first attempt was a portrait of his paternal uncle, James Abbott of Salisbury, whom he is said to have sketched surreptitiously, as the old man would not sit for him. About 1662 he moved to London, and became a pupil of Sir Peter Lely. His progress was rapid, and he acquired some of Lely's skill and method. He carefully studied Vandyck's portraits, and George Vertue commented that he copied so closely Vandyck's portrait of "Thomas Killigrew and his dog" that it was difficult to know which was the original. Vertue also says that his progress excited Lely's jealousy. Greenhill was at first industrious, and married early. But a taste for poetry and drama, and living in Covent Garden in the vicinity of the theatres, led him to associate with many members of the free-living theatrical world, and he fell into "irregular habits". On 19 May 1676, while returning from the "Vine Tavern" (in Holborn) in a state of intoxication, he fell into the gutter in Long Acre, and was carried to his lodgings in Lincoln's Inn Fields, where he died the same night. He was buried in St Giles in the Fields church. He left a widow and family, to whom Lely gave an annuity.
John Greenwood John Greenwood
1737-1792
John H F Bacon John H F Bacon
b. 1740, London, d. 1799, London

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La Chine Pétrole en gros Peignant le Cadre Pétrole de Cadre en gros Peignant la Vente en gros de Miroir en gros Moulant la Peinture à l'huile de Chine de Cadre d'Image chinoise
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