La Chine Pétrole en gros Peignant le Cadre Moulant Mirro Chine


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Martin Schongauer Martin Schongauer
1430-1491 German Martin Schongauer Galleries
Martin van Meytens Martin van Meytens
(June 24, 1695 - March 23, 1770) was a Swedish-Austrian painter who painted members of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francis I, Holy Roman Emperor, the Emperor's family and others. His painting style has inspired many other painters to paint in a similar format.
Martin, Henri Martin, Henri
French Post-Impressionist Painter, 1860-1943
Martin, John Martin, John
English Romantic Painter, 1789-1854
Martinus Rorbye Martinus Rorbye
(17 May 1803 - 29 August 1848) was a Danish painter, known both for genre works and landscapes. He was a central figure of the Golden Age of Danish painting during the first half of the 19th century. The most traveled of the Danish Golden Age painters, he traveled both north to Norway and Sweden and south to Italy, Greece and Constantinople. He was also the first Danish painter to take to painting in Skagen at the northern top of Jutland, almost half a century before the thriving community of Skagen Painters formed and came to fame. Martinus Rørbye was born in Drammen in Norway to Danish parents Ferdinand Henrik Rørbye and his wife Frederikke Eleonore Catherine de Stockfleth. His father was a warehouse manager and later Superintendent of War, and had moved the family to Norway shortly before Martinus' birth. The family returned to Denmark when Martinus was 12 years old, shortly after the cession of Norway from Denmark in 1814. Martinus was not inclined to schooling, but in 1820 started his studies at the Royal Danish Academy of Fine Arts at 17 years of age. He studied under Christian August Lorentzen and Christoffer Wilhelm Eckersberg, a strong influence on a generation of artists during the Danish Golden Age. Rørbye was a favorite student of Eckersberg, and they formed a close association. He took to Eckersberges careful attention to nature and his strivings to capture details realistically. He was also greatly influenced by Lorentzenes use of color. He won the Academyes small silver medal in 1824, and the large silver medal in 1828. He competed for the gold medal and won a cash prize. In 1829 he won the small gold medal for his painting Christ healing the blind, which remains in the ownership of the Royal Danish Academy. He never won the large gold medal in spite of repeated attempts.
MARTORELL, Bernat (Bernardo) MARTORELL, Bernat (Bernardo)
Spanish Early Renaissance Painter, ca.1400-1452
Marx Reichlich Marx Reichlich
1460-1520 German Marx Reichlich Gallery
Mary Beale Mary Beale
English Baroque Era Painter, 1633-1699
Mary Cassatt Mary Cassatt
1844-1926 Mary Cassatt Galleries
MASACCIO MASACCIO
Italian Early Renaissance Painter, 1401-1428
Masek, Vitezlav Karel Masek, Vitezlav Karel
Czech Painter, 1865-1927
Mashkov, Ilya Mashkov, Ilya
Russian Painter, 1881-1944
Maso da San Friano Maso da San Friano
(1536-1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence. According to Giorgio Vasari, Maso was a pupil of Pier Francesco Foschi while others claim it was Carlo Portelli. He collaborated with an elder Michelangelo on some projects. His altarpiece of the Visitation was painted in 1560 for the church of San Pier Maggiore of Florence - now in Trinity Hall Chapel, Cambridge, England. A similar work can be seen in the Prato cathedral. After 1561, he painted in the church of Ognissanti, Florence and in the church of Santa Felicita. He participated in the decoration of the Studiolo of Francesco I with an oval canvas relating the Fall of Icarus story (1572). The canvas has an affected milling in individuals below and an anomalous perspective; both are classic features of mannerist painting. His second contribution Mining of Diamonds. A portrait of Ferdinando I de' Medici (1570) by Maso can be found in the Town Council Hall of Prato. He is thought to be one of part of the Contra-Maniera or Counter-Mannerism movement in Florence. His most important pupils were Jacopo da Empoli and Alessandro Fei. One of his paintings, thought to be of Cosimo I de Medici in 1560, is believed to be the oldest to show a watch
Maso di Banco Maso di Banco
Italian Early Renaissance Painter, active 1320-1350
Masolino Masolino
Italian c1383-c1433 Masolino Gallery
MASOLINO da Panicale MASOLINO da Panicale
Italian Early Renaissance Painter, ca.1383-1447
Massimo d Azeglio Massimo d Azeglio
1798-1866
Massimo Stanzione Massimo Stanzione
(also called Stanzioni; c. 1586 - c. 1656) was an Italian Baroque painter, mainly active in Naples. Massimo Stanzione was an Italian Baroque painter. Born in Naples in 1586, Massimo was greatly influenced by Michelangelo Merisi da Caravaggio, but what earned him the nickname of The Neapolitan Guido Reni was his sophisticated and graceful style. The thing that distinguished Massimo art from Carravaggism was that he combined Caravaggio dramatically lit and brutally realistic style with the classical and lyrical manner of Bolognesi painters. Though his preliminary training is uncertain, it is thought that he studied with Fabrizio Santafede; however, most of the influence he received was from Caravaggio. Art historians believe that Stanzione developed his career as an artist in Rome. It is thought that he bagan his career as a portraitist. Some of his most famous works include Portrait of a Woman in Popular Costume, and Portrait of Jerome Banks. Between 1617 and 1630, it is believed that he traveled between the papal city and his hometown of Naples exploring different styles of art. Also influenced by Caravaggio were Artemisia Gentileschi, Simon Vouet, and Carlo Saraceni. During Stanzione career a movement that changed the style of art was formed. Stanzione was a part of this movement. This movement transformed the dark, contrasted Caravaggio-styled art into Bolognese colorism and soft art.
MASSYS, Cornelis MASSYS, Cornelis
Flemish painter (1508-1550)
MASSYS, Jan MASSYS, Jan
Netherlandish Painter, ca.1509-1575
MASSYS, Quentin MASSYS, Quentin
Flemish Northern Renaissance Painter, ca.1465-1530
MASTER Bertram MASTER Bertram
German painter (b. cca. 1345, Minden, d. 1415, Hamburg).
Master John Master John
(floruit 1544-1545)
Master of Ab Monogram Master of Ab Monogram
MASTER of AB Monogram. German painter (active 1530s in Saxony
Master of Avila Master of Avila
15 Master of Avila Nativity 1474-76 Oil on wood Museo Lezaro Galdiano, Madrid This is the finest work of the master, it forms part of a triptych as the central panel. The left panel was the Annunciation to the Shepherds while the right panel represented the Annunciation to the Magi. The composition follows the example of Gallego's paintings and the use of the cool colors
MASTER of Female Half-length MASTER of Female Half-length
Dutch painter (active 1530-1540)
Master Of Flemalle Master Of Flemalle
Robert Campin (c. 1375 - 26 April 1444), now usually identified as the artist known as the Master of Flemalle, is usually considered the first great master of Flemish and Early Netherlandish painting. This had been a matter of controversy for decades; Campin's life is relatively well documented for the period, but no works in assessable condition could be securely connected with him, whilst a corpus of work had been attached to the unidentified "Master of Flemalle", named after the supposed origin of a work. Campin seems to have had relatives in Valenciennes. He first appears as settled in Tournai from the archives of 1405-6, as a free master of the guild of painters, and he bought citizenship in 1410, which suggests he was not born there. He eventually attained the office of dean of the guild, and wardenship of a church and other civic offices, and was running a large workshop. By 1432, however, he lost his civic positions because of scandals, and probably his role in political disturbances in the city. In 1429 he was found guilty of withholding evidence, and sentenced to go on a pilgrimage, and in 1432 was convicted of adultery and banished for a year. Margaret of Burgundy, wife of the Count of Holland and sister of John the Fearless, Duke of Burgundy intervened on his behalf, and this was reduced to a fine. The dated Werl Altarpiece (1438) shows he continued to work (the two outer wings are in the Prado; the main panel is lost).
Master of Frankfurt Master of Frankfurt
Flemish Northern Renaissance Painter, 1460-ca.1533
Master of Moulins Master of Moulins
French Active 1480-1500 Master of Moulins Gallery
Master of Saint Giles Master of Saint Giles
The Master of Saint Giles (French: Maître de Saint-Gilles) was a Franco-Flemish painter active, probably in Paris, about 1500, working in a delicate Late Gothic manner, with rendering of textures and light and faithful depictions of actual interiors that show his affinities with Netherlandish painting. It is not clear whether the Master of Saint Giles was a French painter who trained in the Low Countries (perhaps more likely), or a Netherlander who emigrated to France. His pseudonym was given him by Max Friedländer, who reconstructed part of the anonymous painter's oeuvre, starting from two panels devoted to Saint Giles (a Miracle and a Mass) in the National Gallery, London, that were part of the lefthand shutter of an altarpiece, and two further panels now in Washington from the same altarpiece. The hand of an assistant can be discerned in the Baptism of Clovis at the National Gallery of Art, Washington, who also have a panel with Episodes from the Life of a Bishop-Saint - perhaps Saint Leu, Saint Denis or Saint Remy. All four panels have, or had, single grisaille figures of saints (Saints Peter, Giles, Denis and an unidentified bishop-saint) in niches, imitating sculpture, on the reverse. The Washington pair, which were in poor condition, have been separated and are lost, although photographs exist. Undoubtedly there were further panels, whose subjects cannot be guessed, as the combination of scenes is original.
MASTER of Saint Gilles MASTER of Saint Gilles
French Painter, active ca.1500
MASTER of Saint Veronica MASTER of Saint Veronica
German Gothic Era Painter, active ca.1395-1420
Master of san Francesco Master of san Francesco
Tuscany ca.1350
MASTER of San Francesco Bardi MASTER of San Francesco Bardi
active 1240-1270 in Florence
master of st bartholomew master of st bartholomew
active in Cologne ca 1480/1510
Master of ST Ildefonso Master of ST Ildefonso
Castile,end of the fifteenth century
master of St-Germain-des-Pres master of St-Germain-des-Pres
originally from cologne active in Paris about 1500
MASTER of the Aix Annunciation MASTER of the Aix Annunciation
Flemish Northern Renaissance Painter, active 1480-1520
MASTER of the Aix-en-Chapel Altarpiece MASTER of the Aix-en-Chapel Altarpiece
French painter (active between 1480-1520)
Master of The Castello Nativity Master of The Castello Nativity
Florence ca 1450-ca 1475
master of the Holy Kindred master of the Holy Kindred
active in Cologne 1470/80-1515
Master of the Legend Master of the Legend
active in Cologne ca 1490/1500
Master of the Legend of St. Lucy Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
Master of the Manna Master of the Manna
French Early Renaissance, 15th Century
Master of the observanza Triptych Master of the observanza Triptych
active in Siena after 1425
Master Of The Parrot Master Of The Parrot
painted Mary Magdalen in between 1525(1525) and 1550(1550)
MASTER of the Pfullendorf Altar MASTER of the Pfullendorf Altar
German Northern Renaissance Painter, 15th Century
MASTER of the Polling Panels MASTER of the Polling Panels
German Northern Renaissance Painter, active 1434-1450

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La Chine Pétrole en gros Peignant le Cadre Pétrole de Cadre en gros Peignant la Vente en gros de Miroir en gros Moulant la Peinture à l'huile de Chine de Cadre d'Image chinoise
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