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Huiler des Tableaux:: all people --> Style:: madonna
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Artist: unknow artist
unknow artist Virgin and Child with Angels and Saints china oil painting reproduction

Virgin and Child with Angels and Saints
1400-25 Tempera on wood, 150 x 82 cm Museo del Prado, Madrid The picture shows the central panel of a polyptych called the Alterpiece of Archbishop Don Sancho de Rojas after the donator who is depicted kneeling at the left side of the painting. It comes from the church of San Benito (St Benedict) in Valladolid. The painter is identified as Rodriguez de Toledo, a representant of the Italo-Gothic painting in Castile. Artist: UNKNOWN MASTER, Spanish , Virgin and Child with Angels and Saints , 1401-1450 , Spanish , painting , religious
ID de tableau::  65254
5335 ago.
Artist: unknow artist
Painting: Virgin and Child with Angels and Saints
Information: 1400-25 Tempera on wood, 150 x 82 cm Museo del Prado, Madrid The picture shows the central panel of a polyptych called the Alterpiece of Archbishop Don Sancho de Rojas after the donator who is depicted kneeling at the left side of the painting. It comes from the church of San Benito (St Benedict) in Valladolid. The painter is identified as Rodriguez de Toledo, a representant of the Italo-Gothic painting in Castile. Artist: UNKNOWN MASTER, Spanish , Virgin and Child with Angels and Saints , 1401-1450 , Spanish , painting , religious

Artist: unknow artist
unknow artist The Nativity china oil painting reproduction

The Nativity
1400 Tempera on walnut, 41 x 29,5 cm Galerie mittelalterlicher ?sterreichischer Kunst, Vienna The artist of this painting is referred to as Master of Salzburg. In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath. In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon. In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her body as if it were wet; the decorativeness in the way in which the painter has used the opportunities inherent in the rustic surroundings, and brought into harmony the pattern of the thatched roof, the mat and the fence, which are made of similar materials, and there is an additional harmonious touch in the plaited hair of one of the midwives. As in a great many other pictures of the period the ground is exceedingly steep here; compared to the figures in the foreground the stable seems to be high, on the other hand the beam underneath the roof touches the animals' heads. Although the white piece of cloth between the two midwives-in all probability a napkin, another symbol of the human nature of Jesus-looks as though it were hovering, in fact it lies on the ground. All this is not surprising, since these forms do not convey space, they are meant, first and foremost, to fill up the surface of the picture. Artist: UNKNOWN MASTER, Austrian , The Nativity , 1351-1400 , Austrian , painting , religious
ID de tableau::  65253
5335 ago.
Artist: unknow artist
Painting: The Nativity
Information: 1400 Tempera on walnut, 41 x 29,5 cm Galerie mittelalterlicher ?sterreichischer Kunst, Vienna The artist of this painting is referred to as Master of Salzburg. In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath. In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon. In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her body as if it were wet; the decorativeness in the way in which the painter has used the opportunities inherent in the rustic surroundings, and brought into harmony the pattern of the thatched roof, the mat and the fence, which are made of similar materials, and there is an additional harmonious touch in the plaited hair of one of the midwives. As in a great many other pictures of the period the ground is exceedingly steep here; compared to the figures in the foreground the stable seems to be high, on the other hand the beam underneath the roof touches the animals' heads. Although the white piece of cloth between the two midwives-in all probability a napkin, another symbol of the human nature of Jesus-looks as though it were hovering, in fact it lies on the ground. All this is not surprising, since these forms do not convey space, they are meant, first and foremost, to fill up the surface of the picture. Artist: UNKNOWN MASTER, Austrian , The Nativity , 1351-1400 , Austrian , painting , religious

Artist: Raphael
Raphael alba madonna china oil painting reproduction

alba madonna
national gallery of art, washington oil on wood transferred to canvas, diameter95cm se
ID de tableau::  64839
5359 ago.
Artist: Raphael
Painting: alba madonna
Information: national gallery of art, washington oil on wood transferred to canvas, diameter95cm se

Artist: Raphael
Raphael madonna della tenda china oil painting reproduction

madonna della tenda
alte pinakotek, munich oil on wood, diameter 71cm se
ID de tableau::  64838
5359 ago.
Artist: Raphael
Painting: madonna della tenda
Information: alte pinakotek, munich oil on wood, diameter 71cm se

Artist: Raphael
Raphael the madonna del pesce china oil painting reproduction

the madonna del pesce
museo del prado, madrid oil on wood transferred to panel 215x158cm se
ID de tableau::  64835
5359 ago.
Artist: Raphael
Painting: the madonna del pesce
Information: museo del prado, madrid oil on wood transferred to panel 215x158cm se

Artist: Raphael
Raphael the sistine madonna china oil painting reproduction

the sistine madonna
the gemaldegalerei, dresden oil on canvas, 265x196cm se
ID de tableau::  64834
5359 ago.
Artist: Raphael
Painting: the sistine madonna
Information: the gemaldegalerei, dresden oil on canvas, 265x196cm se

Artist: Raphael
Raphael the madonna di foligno china oil painting reproduction

the madonna di foligno
vatican gallery, rome oil on wood 301x198cm se
ID de tableau::  64833
5359 ago.
Artist: Raphael
Painting: the madonna di foligno
Information: vatican gallery, rome oil on wood 301x198cm se

Artist: Raphael
Raphael bridgewater madonna china oil painting reproduction

bridgewater madonna
national gallyer of Scotland, edinburgh, on loan from the duke of sutherland oil on wodd, transferred tocanvas, 81x56cm se
ID de tableau::  64793
5359 ago.
Artist: Raphael
Painting: bridgewater madonna
Information: national gallyer of Scotland, edinburgh, on loan from the duke of sutherland oil on wodd, transferred tocanvas, 81x56cm se

Artist: Raphael
Raphael virgin and child wild st. china oil painting reproduction

virgin and child wild st.
john the baptist louvre, paris oil on panel,122x80cm
ID de tableau::  64789
5359 ago.
Artist: Raphael
Painting: virgin and child wild st.
Information: john the baptist louvre, paris oil on panel,122x80cm

Artist: Raphael
Raphael virgin and child with china oil painting reproduction

virgin and child with
st. john the baptist the madonna of the meadow oil on panel, 113x88 se
ID de tableau::  64788
5359 ago.
Artist: Raphael
Painting: virgin and child with
Information: st. john the baptist the madonna of the meadow oil on panel, 113x88 se

Artist: Raphael
Raphael madonna conestabile china oil painting reproduction

madonna conestabile
hermitage, st petersburg tempera on panel, transferred to canvas, diameter 18cm. se
ID de tableau::  64787
5359 ago.
Artist: Raphael
Painting: madonna conestabile
Information: hermitage, st petersburg tempera on panel, transferred to canvas, diameter 18cm. se

Artist: Raphael
Raphael virgin and child china oil painting reproduction

virgin and child
enthroned with ss. john the baptist and nicholas of bari national gallry, london oil on wood,209x148 se
ID de tableau::  64784
5359 ago.
Artist: Raphael
Painting: virgin and child
Information: enthroned with ss. john the baptist and nicholas of bari national gallry, london oil on wood,209x148 se

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Huiler des Tableaux:: people --> Style:: madonna

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