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Gemälde:: Porträt
VORHERIGER  74  75  76  77  78  79  80  81  82  83  84  85  86  87  88  89  90  91  92  93  NÄCHSTER  (Displayed as nearest added time.)
Artist: El Greco
El Greco portrait of jeronimo de cevallos oil painting picture wholesale

portrait of jeronimo de cevallos
painted 1604-14,cossio; 1608-12,mayer 25x21 the prado museum,madrid
Gemälde IDENTIFIZIERUNG::  64071
5397 ago.
Artist: El Greco
Painting: portrait of jeronimo de cevallos
Information: painted 1604-14,cossio; 1608-12,mayer 25x21 the prado museum,madrid

Artist: El Greco
El Greco self-portrait oil painting picture wholesale

self-portrait
painted 1584-1604 23x18 the metropolitan museum of art, new york
Gemälde IDENTIFIZIERUNG::  64070
5397 ago.
Artist: El Greco
Painting: self-portrait
Information: painted 1584-1604 23x18 the metropolitan museum of art, new york

Artist: El Greco
El Greco st, bernardino of siena oil painting picture wholesale

st, bernardino of siena
painted 1604-14,cossio; 1603,mayer 106x56 greco museum, toledo
Gemälde IDENTIFIZIERUNG::  64069
5397 ago.
Artist: El Greco
Painting: st, bernardino of siena
Information: painted 1604-14,cossio; 1603,mayer 106x56 greco museum, toledo

Artist: El Greco
El Greco fray hortensio felix paravicino oil painting picture wholesale

fray hortensio felix paravicino
painted 1604-9 43x33 museum of fine arts, boston
Gemälde IDENTIFIZIERUNG::  64061
5397 ago.
Artist: El Greco
Painting: fray hortensio felix paravicino
Information: painted 1604-9 43x33 museum of fine arts, boston

Artist: El Greco
El Greco don fernando nino de guevara oil painting picture wholesale

don fernando nino de guevara
painted 1596-1604,cossio; 1596-1600 67x42 the metropolitan museum of art, new york
Gemälde IDENTIFIZIERUNG::  64060
5397 ago.
Artist: El Greco
Painting: don fernando nino de guevara
Information: painted 1596-1604,cossio; 1596-1600 67x42 the metropolitan museum of art, new york

Artist: El Greco
El Greco st john the evangelist oil painting picture wholesale

st john the evangelist
painted 1594-1604,cossio; 1600-1604 35x30 the prado museum,madrid
Gemälde IDENTIFIZIERUNG::  64059
5397 ago.
Artist: El Greco
Painting: st john the evangelist
Information: painted 1594-1604,cossio; 1600-1604 35x30 the prado museum,madrid

Artist: El Greco
El Greco an unknown man oil painting picture wholesale

an unknown man
painted 1584-94 cossio. 1594-1600,mayer 18x16 the prado museum, madrid
Gemälde IDENTIFIZIERUNG::  64056
5397 ago.
Artist: El Greco
Painting: an unknown man
Information: painted 1584-94 cossio. 1594-1600,mayer 18x16 the prado museum, madrid

Artist: El Greco
El Greco man with his hand on his breast oil painting picture wholesale

man with his hand on his breast
painted 1577-84 31x26 the prado museum, madrid
Gemälde IDENTIFIZIERUNG::  64050
5397 ago.
Artist: El Greco
Painting: man with his hand on his breast
Information: painted 1577-84 31x26 the prado museum, madrid

Artist: El Greco
El Greco a lady oil painting picture wholesale

a lady
painted 1594-1604,cossio. 1578-81,mayer 15x13 john g johnson collection,philadelphia museum of art
Gemälde IDENTIFIZIERUNG::  64047
5397 ago.
Artist: El Greco
Painting: a lady
Information: painted 1594-1604,cossio. 1578-81,mayer 15x13 john g johnson collection,philadelphia museum of art

Artist: El Greco
El Greco st. jerome as a cardinal oil painting picture wholesale

st. jerome as a cardinal
painted 1571-76,cossio,last period,mayer 23x18 national gallery,london
Gemälde IDENTIFIZIERUNG::  64046
5397 ago.
Artist: El Greco
Painting: st. jerome as a cardinal
Information: painted 1571-76,cossio,last period,mayer 23x18 national gallery,london

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus Portrait of a Young Girl after oil painting picture wholesale

Portrait of a Young Girl after
29 x 22,5 cm Staatliche Museen, Berlin Although the general quality of Petrus Christus's work is in doubt, a single painting, generally dated from the end of his active life, is convincing. It is the Portrait of a Young Girl in the Staatliche Museen in Berlin. The surface has the brilliance of porcelain and the purity of the overall effect looks forward to Vermeer. The lively expression of the girl and her oblique glance, suggesting that something or someone just outside the frame has caught her attention, contrasts with the frontal composition. The pink of her cheeks and lips introduces some warmth into the face, while the pure white and brown-black of the eyes echo the underlying tones of the wall behind her. Petrus Christus's portraits were once condescendingly described as rough-hewn and stilted. Yet this young girl is surely closer to Upton's description of her: "a polished pearl, almost opalescent, lying on a cushion of black velvet". , Artist: CHRISTUS, Petrus , Portrait of a Young Girl , 1451-1500 , Flemish , painting , portrait
Gemälde IDENTIFIZIERUNG::  63981
5398 ago.
Artist: CHRISTUS, Petrus
Painting: Portrait of a Young Girl after
Information: 29 x 22,5 cm Staatliche Museen, Berlin Although the general quality of Petrus Christus's work is in doubt, a single painting, generally dated from the end of his active life, is convincing. It is the Portrait of a Young Girl in the Staatliche Museen in Berlin. The surface has the brilliance of porcelain and the purity of the overall effect looks forward to Vermeer. The lively expression of the girl and her oblique glance, suggesting that something or someone just outside the frame has caught her attention, contrasts with the frontal composition. The pink of her cheeks and lips introduces some warmth into the face, while the pure white and brown-black of the eyes echo the underlying tones of the wall behind her. Petrus Christus's portraits were once condescendingly described as rough-hewn and stilted. Yet this young girl is surely closer to Upton's description of her: "a polished pearl, almost opalescent, lying on a cushion of black velvet". , Artist: CHRISTUS, Petrus , Portrait of a Young Girl , 1451-1500 , Flemish , painting , portrait

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus Portait of a Young Man oil painting picture wholesale

Portait of a Young Man
1460 Wood, 35,5 x 26,3 cm National Gallery, London The painting is probably the left wing of a triptych. , Artist: CHRISTUS, Petrus , Portait of a Young Man , 1451-1500 , Flemish , painting , portrait
Gemälde IDENTIFIZIERUNG::  63976
5398 ago.
Artist: CHRISTUS, Petrus
Painting: Portait of a Young Man
Information: 1460 Wood, 35,5 x 26,3 cm National Gallery, London The painting is probably the left wing of a triptych. , Artist: CHRISTUS, Petrus , Portait of a Young Man , 1451-1500 , Flemish , painting , portrait

Artist: MASSYS, Quentin
MASSYS, Quentin St Mary Magdalene oil painting picture wholesale

St Mary Magdalene
45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63974
5399 ago.
Artist: MASSYS, Quentin
Painting: St Mary Magdalene
Information: 45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious

Artist: JORDAENS, Jacob
JORDAENS, Jacob Portrait of a Young Married Couple oil painting picture wholesale

Portrait of a Young Married Couple
1615-1620 Oil on panel Museum of Fine Arts, Boston , Artist: JORDAENS, Jacob , Portrait of a Young Married Couple , 1651-1700 , Flemish , painting , portrait
Gemälde IDENTIFIZIERUNG::  63971
5399 ago.
Artist: JORDAENS, Jacob
Painting: Portrait of a Young Married Couple
Information: 1615-1620 Oil on panel Museum of Fine Arts, Boston , Artist: JORDAENS, Jacob , Portrait of a Young Married Couple , 1651-1700 , Flemish , painting , portrait

Artist: CHRISTUS, Petrus
CHRISTUS, Petrus Potrait of a Carthusian oil painting picture wholesale

Potrait of a Carthusian
1446 Oil on wood, 29,2 x 21,6 cm Metropolitan Museum of Art, New York In 1444, three years after the death of Jan van Eyck, Petrus Christus left his homeland in the northern Netherlands to settle in Bruges. This portrait, one of Christus's earliest signed and dated works, shows van Eyck's influence in the technical virtuosity of the trompe-l'oeil fly and the carved inscription. The sitter, once transformed into a saint by the addition of a halo, is an unknown lay brother of the Carthusian order. The fly is a symbol of decay, a reminder of man's mortality, but it also greatly enhances the fiction of a real person gazing at us from behind a stone ledge in which Christus's signature appears as an incised inscription. , Artist: CHRISTUS, Petrus , Potrait of a Carthusian , 1451-1500 , Flemish , painting , portrait
Gemälde IDENTIFIZIERUNG::  63970
5399 ago.
Artist: CHRISTUS, Petrus
Painting: Potrait of a Carthusian
Information: 1446 Oil on wood, 29,2 x 21,6 cm Metropolitan Museum of Art, New York In 1444, three years after the death of Jan van Eyck, Petrus Christus left his homeland in the northern Netherlands to settle in Bruges. This portrait, one of Christus's earliest signed and dated works, shows van Eyck's influence in the technical virtuosity of the trompe-l'oeil fly and the carved inscription. The sitter, once transformed into a saint by the addition of a halo, is an unknown lay brother of the Carthusian order. The fly is a symbol of decay, a reminder of man's mortality, but it also greatly enhances the fiction of a real person gazing at us from behind a stone ledge in which Christus's signature appears as an incised inscription. , Artist: CHRISTUS, Petrus , Potrait of a Carthusian , 1451-1500 , Flemish , painting , portrait

Artist: JORDAENS, Jacob
JORDAENS, Jacob An Apostle oil painting picture wholesale

An Apostle
1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  63968
5400 ago.
Artist: JORDAENS, Jacob
Painting: An Apostle
Information: 1623-25 OIl on oak, 68,5 x 51,5 cm National Gallery, Prague Jordaens painted a series of apostles between 1623 and 1625. The model of these characteristic heads was Abraham Grapheus, the messenger of the St Luke Guild in Antwerp. , Artist: JORDAENS, Jacob , An Apostle , 1651-1700 , Flemish , painting , religious

Artist: unknow artist
unknow artist Philip the Bold oil painting picture wholesale

Philip the Bold
1500s Panel painting Musee National, Versailles *** Keywords: ************* Artist: UNKNOWN MASTER, French , Philip the Bold , 1501-1550 , French , painting , portrait
Gemälde IDENTIFIZIERUNG::  63964
5400 ago.
Artist: unknow artist
Painting: Philip the Bold
Information: 1500s Panel painting Musee National, Versailles *** Keywords: ************* Artist: UNKNOWN MASTER, French , Philip the Bold , 1501-1550 , French , painting , portrait

Artist: unknow artist
unknow artist St Peter oil painting picture wholesale

St Peter
75 x 63 cm The Hermitage, St. Petersburg *** Keywords: ************* Artist: RIBERA, Jusepe de , St Peter , 1601-1650 , Spanish , painting , religious
Gemälde IDENTIFIZIERUNG::  63953
5402 ago.
Artist: unknow artist
Painting: St Peter
Information: 75 x 63 cm The Hermitage, St. Petersburg *** Keywords: ************* Artist: RIBERA, Jusepe de , St Peter , 1601-1650 , Spanish , painting , religious

Artist: unknow artist
unknow artist Saint Onufri oil painting picture wholesale

Saint Onufri
1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious
Gemälde IDENTIFIZIERUNG::  63952
5402 ago.
Artist: unknow artist
Painting: Saint Onufri
Information: 1637 Oil on canvas The Hermitage, St. Petersburg Ribera studied in Francisco Ribalta's workshop in Valencia, but when still young he went to Naples, then under Spanish rule, where he worked for the rest of his life. He was called there as Lo Spagnoletto. He obtained most of his commissions from the Spanish Viceroy and his entourage, but he also completed a good many paintings for the churches of the city. The influence of Caravaggio was felt throughout southern Italy and there can be little doubt that Ribera was the artist with the strongest and most independent personality of all his followers. Ribera represented crude reality boldly and without embellishment. The construction of his pictures is monumental and he reveals a strong sense of drama, empahasized by means of strongly contrasting light and shade. The poor inhabitants of Naples and the peasants of southern Italy were his models, and he depicted them without flattery or idealization as enormous figures clothed in rags. The painting of Saint Onufri also shows the influence of Caravaggio. , Artist: RIBERA, Jusepe de , Saint Onufri , 1601-1650 , Spanish , painting , religious

Artist: unknow artist
unknow artist St Andrew oil painting picture wholesale

St Andrew
123 x 95 cm Museo del Prado, Madrid Ribera was trained in Valencia, but in about 1616 he moved to Italy, settling in Naples. A clever draftsman and a master of composition, his numerous paintings are more varied than the legends concerning him might lead one to suppose. In his better work the dominant colors, browns and reds, contrast with cruel lighting, which sometimes appears to do violence to the forms. In Ribera highly refined ecxecution and realistic modeling, particularly the marvelous flesh tints of his saints, are combined with a marked preference for dramatic themes, as may be seen in his St Andrew, in the Prado, or better in the painting of the martyrdom of the same saint, now in Budapest. His Crucifixion, in the collegiate church od Osuna, and his Martyrdom of St Bartholomew (1630) in the Prado, are similar in intention and technique. A preference does not imply total exclusion, and there is evidence that Ribera was also a sumptuous colorist. His style evolved from an early preoccupation with 'tenebrist' techniques, through a period of experiment with a silvery light, to a final stage characterized by warm and golden tones. One of his most beautiful paintings is the Holy Family in the Metropolitam Museum of Art in New York. Ribera also practiced engraving and his influence was considerable, both in Italy, where he lived in Naples when it was ruled by Spanish viceroys, and in Spain. Much of his work was intended for Spanish patrons and was an object of admiration as well as a stimulus to Spanish painters. , Artist: RIBERA, Jusepe de , St Andrew , 1601-1650 , Spanish , painting , religious
Gemälde IDENTIFIZIERUNG::  63943
5403 ago.
Artist: unknow artist
Painting: St Andrew
Information: 123 x 95 cm Museo del Prado, Madrid Ribera was trained in Valencia, but in about 1616 he moved to Italy, settling in Naples. A clever draftsman and a master of composition, his numerous paintings are more varied than the legends concerning him might lead one to suppose. In his better work the dominant colors, browns and reds, contrast with cruel lighting, which sometimes appears to do violence to the forms. In Ribera highly refined ecxecution and realistic modeling, particularly the marvelous flesh tints of his saints, are combined with a marked preference for dramatic themes, as may be seen in his St Andrew, in the Prado, or better in the painting of the martyrdom of the same saint, now in Budapest. His Crucifixion, in the collegiate church od Osuna, and his Martyrdom of St Bartholomew (1630) in the Prado, are similar in intention and technique. A preference does not imply total exclusion, and there is evidence that Ribera was also a sumptuous colorist. His style evolved from an early preoccupation with 'tenebrist' techniques, through a period of experiment with a silvery light, to a final stage characterized by warm and golden tones. One of his most beautiful paintings is the Holy Family in the Metropolitam Museum of Art in New York. Ribera also practiced engraving and his influence was considerable, both in Italy, where he lived in Naples when it was ruled by Spanish viceroys, and in Spain. Much of his work was intended for Spanish patrons and was an object of admiration as well as a stimulus to Spanish painters. , Artist: RIBERA, Jusepe de , St Andrew , 1601-1650 , Spanish , painting , religious

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Gemälde:: Porträt

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