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Gemälde:: all people --> Style:: religious
VORHERIGER  20  21  22  23  24  25  26  27  28  29  30  31  32  33  34  35  36  37  38  39  NÄCHSTER  (Displayed as nearest added time.)
Artist: GADDI, Agnolo
GADDI, Agnolo Crucifixion china oil painting reproduction

Crucifixion
1390-96 Tempera on wood, 57,5 x 77 cm Galleria degli Uffizi, Florence , GADDI, Agnolo , Crucifixion , 1351-1400 , Italian , painting , religious
Gemälde IDENTIFIZIERUNG::  64767
5365 ago.
Artist: GADDI, Agnolo
Painting: Crucifixion
Information: 1390-96 Tempera on wood, 57,5 x 77 cm Galleria degli Uffizi, Florence , GADDI, Agnolo , Crucifixion , 1351-1400 , Italian , painting , religious

Artist: GHIRLANDAIO, Domenico
GHIRLANDAIO, Domenico Calling of the First Apostles china oil painting reproduction

Calling of the First Apostles
1481 Fresco Cappella Sistina, Vatican The group of women on the left side of the fresco, including a woman in blue seen from behind, anticipates the female figures Ghirlandaio paints in later works. Artist:GHIRLANDAIO, Domenico Title: Calling of the First Apostles (detail), 1451-1500, Italian , painting , religious
Gemälde IDENTIFIZIERUNG::  64765
5367 ago.
Artist: GHIRLANDAIO, Domenico
Painting: Calling of the First Apostles
Information: 1481 Fresco Cappella Sistina, Vatican The group of women on the left side of the fresco, including a woman in blue seen from behind, anticipates the female figures Ghirlandaio paints in later works. Artist:GHIRLANDAIO, Domenico Title: Calling of the First Apostles (detail), 1451-1500, Italian , painting , religious

Artist: GHIRLANDAIO, Domenico
GHIRLANDAIO, Domenico Obsequies of St Fina china oil painting reproduction

Obsequies of St Fina
1473-75 Fresco Colleggiata, San Gimignano In the long row of expressive heads Ghirlandaio already reveals his unique ability to create convincing character studies, a skill that was to bring him fame and many well paid commissions. Some of those depicted do not seem to be taking part in the ceremony, while others are deeply moved. The server at the saint's feet is more interested in his processional cross than in the ceremony, and the server next to him is looking around to keep himself amused. In the lower left corner on of the miracles can be seen: a blind choirboy who kisses her foot regains his sight. Artist:GHIRLANDAIO, Domenico Title: Obsequies of St Fina (detail), 1451-1500, Italian , painting , religious
Gemälde IDENTIFIZIERUNG::  64764
5367 ago.
Artist: GHIRLANDAIO, Domenico
Painting: Obsequies of St Fina
Information: 1473-75 Fresco Colleggiata, San Gimignano In the long row of expressive heads Ghirlandaio already reveals his unique ability to create convincing character studies, a skill that was to bring him fame and many well paid commissions. Some of those depicted do not seem to be taking part in the ceremony, while others are deeply moved. The server at the saint's feet is more interested in his processional cross than in the ceremony, and the server next to him is looking around to keep himself amused. In the lower left corner on of the miracles can be seen: a blind choirboy who kisses her foot regains his sight. Artist:GHIRLANDAIO, Domenico Title: Obsequies of St Fina (detail), 1451-1500, Italian , painting , religious

Artist: bernt notke
bernt notke detalj av dodsdanssviten i niguliste kyrka, tallinn china oil painting reproduction

detalj av dodsdanssviten i niguliste kyrka, tallinn
se
Gemälde IDENTIFIZIERUNG::  64758
5367 ago.
Artist: bernt notke
Painting: detalj av dodsdanssviten i niguliste kyrka, tallinn
Information: se

Artist: Sandro Botticelli
Sandro Botticelli venus fodelse china oil painting reproduction

venus fodelse
ca, 1485. galleria degli uffizi, florens se
Gemälde IDENTIFIZIERUNG::  64751
5367 ago.
Artist: Sandro Botticelli
Painting: venus fodelse
Information: ca, 1485. galleria degli uffizi, florens se

Artist: GADDI, Taddeo
GADDI, Taddeo Life of the Virgin china oil painting reproduction

Life of the Virgin
1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious
Gemälde IDENTIFIZIERUNG::  64730
5367 ago.
Artist: GADDI, Taddeo
Painting: Life of the Virgin
Information: 1328-30 Fresco Cappella Baroncelli, Santa Croce, Florence Taddeo Gaddi, one of Giotto's pupils painted the Baroncelli Chapel in the church of Santa Croce in Florence around 1328, brilliantly employing the technical achievements of his teacher. His scenes for the Life of the Virgin were painted with two goals in mind. First, to compose the painting so that it corresponded to the form of the chapel bay, which was arched. Second, by means of the architecture of the painting itself, to create a sufficiently deep stage for the sequence of events to be played out. Gaddi came up with an ingenious solution for the upper section directly under the arch. He placed the architecture of the temple directly beside a cliff which looms up on the right so that in the the upper section a quatrefoil shape is created, an open space out of which he let an angel descend. This served to link the scenes Joachim Driven from the Temple and the Annunciation to Joachim. The sections below, with their alternating interiors and exteriors, appear as sets in front of which, and in which, the events take place. From the Meeting at the Golden Gate (top left) we move on to the Birth of St John the Baptist, the Virgin on her Way to the Temple, and finally the Betrothal to Joseph. As in San Francesco in Assisi, the architecture of the painting is closely linked to the architecture of the church, the continuous narrative to the way a viewer reads. Artist:GADDI, Taddeo Title: Life of the Virgin, 1301-1350, Italian , painting , religious

Artist: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Virgin and Child Enthroned with Saints china oil painting reproduction

Virgin and Child Enthroned with Saints
1627-8 Oil on wood, 80.2 x 55.5 cm Staatliche Museen, Berlin This is a sketch for a large altar painting. Artist:RUBENS, Pieter Pauwel Title: Virgin and Child Enthroned with Saints, 1601-1650, Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64708
5369 ago.
Artist: RUBENS, Pieter Pauwel
Painting: Virgin and Child Enthroned with Saints
Information: 1627-8 Oil on wood, 80.2 x 55.5 cm Staatliche Museen, Berlin This is a sketch for a large altar painting. Artist:RUBENS, Pieter Pauwel Title: Virgin and Child Enthroned with Saints, 1601-1650, Flemish , painting , religious

Artist: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Fall of the Rebel Angels china oil painting reproduction

Fall of the Rebel Angels
1620 Oil on canvas, 448 x 291 cm Alte Pinakothek, Munich Artist:RUBENS, Pieter Pauwel Title: Fall of the Rebel Angels, 1601-1650, Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64707
5369 ago.
Artist: RUBENS, Pieter Pauwel
Painting: Fall of the Rebel Angels
Information: 1620 Oil on canvas, 448 x 291 cm Alte Pinakothek, Munich Artist:RUBENS, Pieter Pauwel Title: Fall of the Rebel Angels, 1601-1650, Flemish , painting , religious

Artist: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Bethrotal of St Catherine china oil painting reproduction

Bethrotal of St Catherine
1628 Oil on canvas Staatliche Museen, Berlin Artist:RUBENS, Pieter Pauwel Title: Bethrotal of St Catherine (sketch), 1601-1650, Flemish , painting , religious
Gemälde IDENTIFIZIERUNG::  64702
5369 ago.
Artist: RUBENS, Pieter Pauwel
Painting: Bethrotal of St Catherine
Information: 1628 Oil on canvas Staatliche Museen, Berlin Artist:RUBENS, Pieter Pauwel Title: Bethrotal of St Catherine (sketch), 1601-1650, Flemish , painting , religious

Artist: MARTORELL, Bernat (Bernardo)
MARTORELL, Bernat (Bernardo) The Nativity china oil painting reproduction

The Nativity
1440s Panel Collection Lippmann, Berlin Borrass?was succeeded as central figure of the Barcelona school by Bernat Martorell, a painter in whom scrupulous attention to detail is combined with touches of poetry. In spite of the limitations of his empirical and conventional perspective, he was able to convey an impression of depth and space, and to give life to every element of his composition. Artist:MARTORELL, Bernat Title: The Nativity (detail), 1401-1450, Spanish , painting , religious
Gemälde IDENTIFIZIERUNG::  64693
5371 ago.
Artist: MARTORELL, Bernat (Bernardo)
Painting: The Nativity
Information: 1440s Panel Collection Lippmann, Berlin Borrass?was succeeded as central figure of the Barcelona school by Bernat Martorell, a painter in whom scrupulous attention to detail is combined with touches of poetry. In spite of the limitations of his empirical and conventional perspective, he was able to convey an impression of depth and space, and to give life to every element of his composition. Artist:MARTORELL, Bernat Title: The Nativity (detail), 1401-1450, Spanish , painting , religious

Artist: Anna Ancher
Anna Ancher sorg china oil painting reproduction

sorg
1902
Gemälde IDENTIFIZIERUNG::  64656
5371 ago.
Artist: Anna Ancher
Painting: sorg
Information: 1902

Artist: Simone Martini
Simone Martini St Margaret china oil painting reproduction

St Margaret
1318 Fresco, 67 x 55 cm (size of detail) Lower Church, San Francesco, Assisi According to the legend St Margaret was thrown into prison because she rejected Olybrius, the Roman governor. In the prison she was attacked by the Devil and, while at prayer, swallowed by a dragon. Since she was carrying a small crucifix she was able to cut a hole in the monsters belly and escaped. Her attributes are the cross and the dragon. Artist:SIMONE MARTINI Title: St Margaret (detail), 1301-1350, Italian , painting , religious
Gemälde IDENTIFIZIERUNG::  64642
5372 ago.
Artist: Simone Martini
Painting: St Margaret
Information: 1318 Fresco, 67 x 55 cm (size of detail) Lower Church, San Francesco, Assisi According to the legend St Margaret was thrown into prison because she rejected Olybrius, the Roman governor. In the prison she was attacked by the Devil and, while at prayer, swallowed by a dragon. Since she was carrying a small crucifix she was able to cut a hole in the monsters belly and escaped. Her attributes are the cross and the dragon. Artist:SIMONE MARTINI Title: St Margaret (detail), 1301-1350, Italian , painting , religious

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Gemälde:: people --> Style:: religious

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