Großhandels China Öl, das Rahmenspiegel Anstreicht, Formend
Gemälde:: all portrait --> Style:: man
VORHERIGER  42  43  44  45  46  47  48  49  50  51  52  53  54  55  56  57  58  59  60  61  NÄCHSTER  (Displayed as nearest added time.)
Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of Ram china oil painting reproduction

Portrait of Ram
1823 (e) Oil on canvas, 104 x 81,3 cm Rijksmuseum, Amsterdam The sitter in this painting has been identified as a nephew of JoseDuaso y Latre, the clergyman in whose house Goya took shelter in 1823 at the end of the liberal interlude. It has been suggested that the date in the inscription has been altered and that the portrait was painted not later than 1820, the last year in which Satueheld office as Alcalde de Corte (a City Councillor of Madrid). From the costume, the informal pose and the style of painting it could have been painted either in 1820 or 1823. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Ramen Satue , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62837
5507 ago.
Artist: Francisco de goya y Lucientes
Painting: Portrait of Ram
Information: 1823 (e) Oil on canvas, 104 x 81,3 cm Rijksmuseum, Amsterdam The sitter in this painting has been identified as a nephew of JoseDuaso y Latre, the clergyman in whose house Goya took shelter in 1823 at the end of the liberal interlude. It has been suggested that the date in the inscription has been altered and that the portrait was painted not later than 1820, the last year in which Satueheld office as Alcalde de Corte (a City Councillor of Madrid). From the costume, the informal pose and the style of painting it could have been painted either in 1820 or 1823. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Ramen Satue , painting Date: 1801-1850 Spanish : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Infante Don Sebasti china oil painting reproduction

Infante Don Sebasti
Gabriel de Borben y Braganza 1822 Oil on canvas, 144 x 105 cm Private collection The model is the son of Pedro de Borben and Princess Braganza. Artist: GOYA Y LUCIENTES, Francisco de Title: Infante Don Sebastien Gabriel de Borben y Braganza , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62836
5507 ago.
Artist: Francisco de goya y Lucientes
Painting: Infante Don Sebasti
Information: Gabriel de Borben y Braganza 1822 Oil on canvas, 144 x 105 cm Private collection The model is the son of Pedro de Borben and Princess Braganza. Artist: GOYA Y LUCIENTES, Francisco de Title: Infante Don Sebastien Gabriel de Borben y Braganza , painting Date: 1801-1850 Spanish : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Paquete china oil painting reproduction

Paquete
1820 Oil on canvas, 39,1 x 31,1 cm Museo Thyssen-Bornemisza, Madrid The painting was formerly in the collection of Goya's grandson, Mariano, and before it was relined the canvas was inscribed on the back: 'El celebre ciego fijo' ('The famous blind man'). The sitter was identified as a well-known beggar who used to sit on the steps of the church of San Felipe el Real in Madrid, and was invited to play the guitar and sing in the houses of members of the court. Goya creates a vivid impression of the blind eyes and jovial expression of the old man in a style close to that of the 'black paintings'. At the same time it is remarkably similar to the manner of Velezquez in his portrayal of the facial expressions of court dwarfs. Artist: GOYA Y LUCIENTES, Francisco de Title: Teo Paquete , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62835
5507 ago.
Artist: Francisco de goya y Lucientes
Painting: Paquete
Information: 1820 Oil on canvas, 39,1 x 31,1 cm Museo Thyssen-Bornemisza, Madrid The painting was formerly in the collection of Goya's grandson, Mariano, and before it was relined the canvas was inscribed on the back: 'El celebre ciego fijo' ('The famous blind man'). The sitter was identified as a well-known beggar who used to sit on the steps of the church of San Felipe el Real in Madrid, and was invited to play the guitar and sing in the houses of members of the court. Goya creates a vivid impression of the blind eyes and jovial expression of the old man in a style close to that of the 'black paintings'. At the same time it is remarkably similar to the manner of Velezquez in his portrayal of the facial expressions of court dwarfs. Artist: GOYA Y LUCIENTES, Francisco de Title: Teo Paquete , painting Date: 1801-1850 Spanish : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Tiburcio china oil painting reproduction

Tiburcio
1820 Oil on canvas, 102 x 81 cm Metropolitan Museum of Art, new York Tiburcio Perez y Cuervo was an architect, a friend of Goya. Artist: GOYA Y LUCIENTES, Francisco de Title: Tiburcio Perez y Cuervo , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62834
5507 ago.
Artist: Francisco de goya y Lucientes
Painting: Tiburcio
Information: 1820 Oil on canvas, 102 x 81 cm Metropolitan Museum of Art, new York Tiburcio Perez y Cuervo was an architect, a friend of Goya. Artist: GOYA Y LUCIENTES, Francisco de Title: Tiburcio Perez y Cuervo , painting Date: 1801-1850 Spanish : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Portrait of Jos Antonio china oil painting reproduction

Portrait of Jos Antonio
Marques de Caballero 1807 Oil on canvas, 105,5 x 84 cm Museum of Fine Arts, Budapest Marques de Caballero (1760-1821) was the Minister of Justice when Goya painted this portrait. Goya signed the painting on the paper held by the left hand of the sitter. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of JoseAntonio, Marques de Caballero , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62832
5508 ago.
Artist: Francisco de goya y Lucientes
Painting: Portrait of Jos Antonio
Information: Marques de Caballero 1807 Oil on canvas, 105,5 x 84 cm Museum of Fine Arts, Budapest Marques de Caballero (1760-1821) was the Minister of Justice when Goya painted this portrait. Goya signed the painting on the paper held by the left hand of the sitter. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of JoseAntonio, Marques de Caballero , painting Date: 1801-1850 Spanish : portrait

Artist: Francisco de goya y Lucientes
Francisco de goya y Lucientes Bartolom Sureda y Miserol china oil painting reproduction

Bartolom Sureda y Miserol
1804-06 Oil on canvas, 120 x 79 cm National Gallery of Art, Washington BartolomeSureda was the director of the Spanish royal textile, crystal, and ceramic factories.He taught Goya the technique of aquatint. In 1804 Sureda became director of the porcelain works at the Buen Retiro. The companion-piece of the portrait, also in the National Gallery of Art in Washington, represents his wife. Artist: GOYA Y LUCIENTES, Francisco de Title: BartolomeSureda y Miserol , painting Date: 1801-1850 Spanish : portrait
Gemälde IDENTIFIZIERUNG::  62831
5508 ago.
Artist: Francisco de goya y Lucientes
Painting: Bartolom Sureda y Miserol
Information: 1804-06 Oil on canvas, 120 x 79 cm National Gallery of Art, Washington BartolomeSureda was the director of the Spanish royal textile, crystal, and ceramic factories.He taught Goya the technique of aquatint. In 1804 Sureda became director of the porcelain works at the Buen Retiro. The companion-piece of the portrait, also in the National Gallery of Art in Washington, represents his wife. Artist: GOYA Y LUCIENTES, Francisco de Title: BartolomeSureda y Miserol , painting Date: 1801-1850 Spanish : portrait

Artist: GHISLANDI, Vittore
GHISLANDI, Vittore Self-Portrait china oil painting reproduction

Self-Portrait
1806 Oil on canvas Galleria Borghese, Rome The self-portrait of the artist and its companion pice, the portrait of Canova celebrates the friendship between the painter and the sculptor by capturing their appearence in 1806 for posterity. Artist: LANDI, Gaspare Title: Self-Portrait , painting Date: 1801-1850 Italian : portrait
Gemälde IDENTIFIZIERUNG::  62825
5509 ago.
Artist: GHISLANDI, Vittore
Painting: Self-Portrait
Information: 1806 Oil on canvas Galleria Borghese, Rome The self-portrait of the artist and its companion pice, the portrait of Canova celebrates the friendship between the painter and the sculptor by capturing their appearence in 1806 for posterity. Artist: LANDI, Gaspare Title: Self-Portrait , painting Date: 1801-1850 Italian : portrait

Artist: Jerome-Martin Langlois
Jerome-Martin Langlois Portrait of Jacques-Louis David china oil painting reproduction

Portrait of Jacques-Louis David
1824 Oil on canvas, 88 x 75 cm Musee du Louvre, Paris David's features continued to be twisted by the growth of his tumour; the Scottish novelist Sir Walter Scott said that the painter's face was the most hideous he had ever seen
Gemälde IDENTIFIZIERUNG::  62823
5510 ago.
Artist: Jerome-Martin Langlois
Painting: Portrait of Jacques-Louis David
Information: 1824 Oil on canvas, 88 x 75 cm Musee du Louvre, Paris David's features continued to be twisted by the growth of his tumour; the Scottish novelist Sir Walter Scott said that the painter's face was the most hideous he had ever seen

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo The Shaonian Lang handheld Fruit Basket china oil painting reproduction

The Shaonian Lang handheld Fruit Basket
mk284 Oil on canvas 1660 - 1665 102 x 82 cm National Gallery of Edinburgh
Gemälde IDENTIFIZIERUNG::  62597
5524 ago.
Artist: Bartolome Esteban Murillo
Painting: The Shaonian Lang handheld Fruit Basket
Information: mk284 Oil on canvas 1660 - 1665 102 x 82 cm National Gallery of Edinburgh

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Juvenile drinking china oil painting reproduction

Juvenile drinking
mk284 Oil on canvas 62.8 x 47.9 cm National Gallery of London
Gemälde IDENTIFIZIERUNG::  62596
5524 ago.
Artist: Bartolome Esteban Murillo
Painting: Juvenile drinking
Information: mk284 Oil on canvas 62.8 x 47.9 cm National Gallery of London

Artist: unknow artist
unknow artist Hubert Robert china oil painting reproduction

Hubert Robert
1788 Oil on wood, 105 x 84 cm Musee du Louvre, Paris Artist: VIGeE-LEBRUN, elisabeth Title: Hubert Robert, Artist Date: 1751-1800 French , painting : portrait
Gemälde IDENTIFIZIERUNG::  62556
5535 ago.
Artist: unknow artist
Painting: Hubert Robert
Information: 1788 Oil on wood, 105 x 84 cm Musee du Louvre, Paris Artist: VIGeE-LEBRUN, elisabeth Title: Hubert Robert, Artist Date: 1751-1800 French , painting : portrait

Artist: unknow artist
unknow artist The Grandmother's Birthday china oil painting reproduction

The Grandmother's Birthday
1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre
Gemälde IDENTIFIZIERUNG::  62555
5535 ago.
Artist: unknow artist
Painting: The Grandmother's Birthday
Information: 1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre

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Gemälde:: portrait --> Style:: man

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