el petróleo al por mayor que pinta marco que moldea el espejo


Please check  CATALOGUE  for thousands of other images. stiffch@hotmail.com

ARTISTA B C D E F G H I J K L M N O P Q R S T U V W X Y Z  Pintura


       PREVIO  1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19   PROXIMO
  

Anders Gustaf Koskull Anders Gustaf Koskull
painted Household Work in 1866
Andre Gill Andre Gill
1840-1885
Andrea Di Giusto Andrea Di Giusto
b Florence, c. 1400; d Florence, 2 Sept 1450
Anicet-Charles-Gabriel Lemonnier Anicet-Charles-Gabriel Lemonnier
French Painter, 1743-1824
Anne-Louis Girodet de Roussy-Trioson Anne-Louis Girodet de Roussy-Trioson
(also given as Anne-Louis Girodet de Roucy-Triosson, Anne-Louis Girodet-Trioson) January 5, 1767 - December 9, 1824), was a French painter and pupil of Jacques-Louis David, who was part of the beginning of the Romantic movement by adding elements of eroticism through his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
Anne-Louis Girodet-Trioson Anne-Louis Girodet-Trioson
1767-1824 French Anne Louis Girodet Trioson Galleries
ANSALDO, G  Andrea ANSALDO, G Andrea
Italian painter, Genoese school (b. 1584, Voltri, d. 1638, Genova)
antoine jean gros antoine jean gros
Baron Antoine-Jean Gros (16 March 1771 ?C 25 June 1835), also known as Jean-Antoine Gros, was both a French History and neoclassical painter. Born in Paris, Gros began to learn to draw at the age of six from his father, who was a miniature painter, and showed himself as a gifted artist. Towards the close of 1785 Gros, by his own choice, entered the studio of Jacques-Louis David, which he frequented assiduously, continuing at the same time to follow the classes of the College Mazarin. Bataille d´Aboukir, 25 juillet 1799, 1806, (detail).The death of his father, whose circumstances had been embarrassed by the French Revolution, threw Gros, in 1791, upon his own resources. He now devoted himself wholly to his profession, and competed (unsuccessfully) in 1792 for the grand prix. About this time, however, on the recommendation of the École des Beaux Arts, he was employed on the execution of portraits of the members of the National Convention, and disturbed by the development of the Revolution, Gros left France in 1793 for Italy.
Anton Domenico Gabbiani Anton Domenico Gabbiani
1652-1726 Italian Anton Domenico Gabbiani Gallery
Anton Genberg Anton Genberg
painted Summer day 1896
Anton Graff Anton Graff
1736-1813
Apollonio di Giovanni
ca.1415-1465 Italian painter and illuminator. He was trained by illuminators in the circle of Bartolomeo di Fruosino and Battista di Biagio Sanguini (1393?C1451) and became a member of the Arte dei Medici e degli Speziali in 1442 and of the Compania di S Luca in 1443. Apollonio was influenced by Filippo Lippi, Lorenzo Ghiberti and Paolo Uccello.
ARCIMBOLDO, Giuseppe ARCIMBOLDO, Giuseppe
Italian Mannerist Painter, ca.1530-1593
Arent De Gelder Arent De Gelder
1645-1727
Armand guillaumin Armand guillaumin
French Impressionist Painter, 1841-1927
Arnold Genthe Arnold Genthe
German-born American Photographer, 1869-1942
Aron Gerle Aron Gerle
painted Skargardsmotiv in 1860-1930
Arshile Gorky
Armenian 1904-1948 Arshile Gorky Gallery
Artemisia  Gentileschi Artemisia Gentileschi
Italian 1593-1652 Artemisia Gentileschi Gallery
Arthur Clifton Goodwin Arthur Clifton Goodwin
American Painter, ca.1864-1929
Arthur e.grimshaw Arthur e.grimshaw
1868-1913
Artur Grottger Artur Grottger
(1837 - 1867) was a Polish painter and graphic designer, one of the most prominent artists of the early 1800s despite his brief life. He was born in Eastern Galicia to an amateur artist of German background, Jan Jozef Grottger, and a Polish mother. Grottger studied painting under the apprenticeships of Jan Kanty Maszkowski and Juliusz Kossak in Lwew. Grottger received an imperial scholarship to attend the Krakow School of Fine Arts, where he studied under Władysław Łuszczkiewicz and Wojciech Kornel Stattler. Around this time he met one of his biggest future art patrons and benefactors, Aleksander Pappenheim. Grottger painted mostly epic battle scenes. He moved to Vienna in 1854, where he produced some of his most famous paintings. In 1865, Grottger returned to Poland and stayed in Krakew and Lwew, but left this time for good in 1866.
ASSERETO, Gioachino ASSERETO, Gioachino
Italian painter, Genoese school (b. 1600, Genova, d. 1649, Genova)
Atkinson Grimshaw Atkinson Grimshaw
British 1836-1893 Atkinson Grimshaw Gallery
Augustus Saint-Gaudens Augustus Saint-Gaudens
Irish-born American Realist Sculptor, 1848-1907
axel gustaf hertzberg axel gustaf hertzberg
1832-1878 Axel Gustaf Hertzberg född 27 augusti 1832 i Jämtland, död 2 september 1878 i Dusseldorf , Tyskland var en svensk bildkonstnär. Hertzberg ägnade sig först åt porträtteckning och litografi men övergick senare till oljemåleri. Han studerade vid konstakademien i Stockholm 1849-1860. Han gjorde en resa till Finland där han stannade två år. Därefter studerade han konst i Paris, och slutligen Dusseldorf. Hertzberg blev 1867 agre vid konstakdemien i Stockholm.
BAGLIONE, Giovanni BAGLIONE, Giovanni
Italian Baroque Era Painter, active 1573-1644
Baron Antoine-Jean Gros Baron Antoine-Jean Gros
1771-1835 French Baron Antoine-Jean Gros Galleries
Baron Gerard Baron Gerard
There have been three baronies created for descendants of the Gerard family who resided at Bryn, Ashton in Makerfield, Lancashire and Kingsley, Cheshire in the 13th century. The title Baron Gerard of Gerards Bromley, was created in the Peerage of England on 21 July 1603 for Sir Thomas Gerard (d. 1617), son of Sir Gilbert Gerard (d. 1593) Attorney General between 1559 and 1581 and Master of the Rolls in 1581, who acquired estates at Gerards Bromley and Hilderstone, Staffordshire. The first Baron was Lord President of Wales between 1610 and 1617. The barony passed in direct line of succession until the death of the fifth Baron in 1684 when it passed to his second cousin Charles, and upon his death without a male heir , to his brother Philip Gerard, a Jesuit priest who died childless in 1773 when the barony expired. The title of Baron Gerard of Bryn in the County Palatine of Lancaster, was created in the Peerage of the United Kingdom in 1876 for Sir Robert Gerard, 13th Baronet. The title followed the line of the first Baron's eldest son until the death of the latter's grandson, the fourth Baron, in 1992. He was succeeded by his second cousin once removed, the fifth and present holder of the barony. He is the great grandson of Captain the Hon. Robert Joseph Gerard-Dicconson, second son of the first Baron. A Gerard Baronetcy had been created in the Baronetage of England in 1611 for Thomas Gerard, Member of Parliament for Liverpool, Lancashire, and Wigan who was a direct descendant of the family of Bryn. He was succeeded by his son, the second Baronet. He also represented Liverpool in the House of Commons. His son, the third Baronet, was a Royalist during the Civil War and spent a large part of his estate in in his support for King Charles I. His great-great-great-grandson was the aforementioned thirteenth Baronet, who was elevated to the peerage in 1876. For the title Baron Gerard of Brandon, in the County of Suffolk, created in 1645 for a great-grandson of Sir Gilbert Gerard (mentioned above), see Earl of Macclesfield.
baron grimm baron grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
Baron Pierre Narcisse Guerin Baron Pierre Narcisse Guerin
Paris 1774-Rome 1833
Baron Pierre-Narcisse Guerin Baron Pierre-Narcisse Guerin
(13 May 1774 - 6 July 1833) was a French painter. Guerin was born in Paris. A pupil of Jean-Baptiste Regnault, he carried off one of the three grands prix offered in 1796, in consequence of the competition not having taken place since 1793. In 1799, his painting Marcus Sextus (Louvre) was exhibited at the Salon and excited wild enthusiasm. Part of this was due to the subject - a victim of Sulla's proscription returning to Rome to find his wife dead and his house in mourning - in which an allusion was found to the turmoil of the French Revolution. Guerin on this occasion was publicly crowned by the president of the Institute, and went to Rome to study under Joseph-Benoît Suvee. In 1800, unable to remain in Rome on account of his health, he went to Naples, where he painted the Grave of Amyntas. In 1802 Guerin produced Phaedra and Hippolytus (Louvre); in 1810, after his return to Paris, he again achieved a great success with Andromache and Pyrrhus (Louvre); and in the same year also exhibited Cephalus and Aurora (Louvre) and Bonaparte and the Rebels of Cairo (Versailles). These paintings suited the popular taste of the First Empire, being highly melodramatic and pompously dignified. The Restoration brought to Guerin fresh honours; he had received from the first consul in 1803 the cross of the Legion of Honour, and in 1815 Louis XVIII named to the Academie des Beaux-Arts. His style changed to accord with popular taste. In Aeneas Relating to Dido the Disasters of Troy (Louvre), Guerin adopted a more sensuous, picturesque style. Guerin was commissioned to paint for the Madeleine a scene from the history of St Louis, but his health prevented him from accomplishing what he had begun, and in 1822 he accepted the post of director of the French Academy in Rome, which in 1816 he had refused. On returning to Paris in 1828, Guerin, who had previously been made chevalier of the order of St. Michel, was ennobled. He now attempted to complete Pyrrhus and Priam, a work which he had begun at Rome, but in vain; his health had finally broken down, and in the hope of improvement he returned to Italy with Horace Vernet. Shortly after his arrival at Rome Baron Guerin died, on the 6th of July 1833, and was buried in the church of La Trinite de Monti by the side of Claude Lorrain.
bartolomeo della gatta bartolomeo della gatta
(1448 -1502), born Pietro di Antonio Dei, was an Italian (Florentine) painter, illuminator, and architect. He was the son of a goldsmith. He was a colleague of Fra Bartolommeo. In 1468, Bartolomeo became a monk in the Order of Camaldoli, probably in the Church of Santa Maria degli Angeli in Florence, which his brother Nicolo had already entered. Upon taking holy orders, he changed his name to Bartolomeo. About 1481, he was summoned to Rome where he contributed to the cycle of frescos on the walls of the Sistine Chapel. Bartolomeo eventually became Abbot of San Clemente in Arezzo. He died in 1502 and was buried in the Abbey of San Clemente.
BARTOLOMEO DI GIOVANNI BARTOLOMEO DI GIOVANNI
Italian Early Renaissance Painter, active 1475-1511
Bela Ivanyi-Grunwald Bela Ivanyi-Grunwald
(6 May 1867 - 24 September 1940) was a Hungarian painter, a leading member of the Nagybenya artists' colony and founder of the Kecskemet artists' colony. Born in Som, Ivenyi-Grenwald began his artistic studies under Bertalan Szekely and Keroly Lotz at the Academy of Fine Arts in Budapest (1882-86) and continued them at Munich in 1886-87 and at the Academie Julian in Paris from 1887 to 1890. From 1891 he again worked in Munich; in 1894 he travelled with Ferenc Eisenhut to Egypt, where he painted several oriental-themed works. Beginning in 1889 he had regular exhibitions at the Palace of Art in Budapest. Characteristic of his early pictures is A Hader kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Ivenyi-Grenwald painted a large-scale genre painting entitled Nihilistek sorsot heznak ("Nihilists Drawing Lots", 1893), a work as notable for its dramatic use of chiaroscuro as for its deeply felt subject-matter. In response to a state commission for the 1896 Millennium Exhibition in Budapest he produced an enormous academic history painting.
BELLINI, Gentile BELLINI, Gentile
Italian Early Renaissance Painter, ca.1429-1507
BELLINI, Giovanni BELLINI, Giovanni
Italian High Renaissance Painter, ca.1430-1516
Bellows, George Bellows, George
American, 1882-1925
Benozzo Gozzoli Benozzo Gozzoli
Italian Early Renaissance Painter, 1420-1497
BERCKHEYDE, Gerrit Adriaensz. BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698
Bernhard Gutmann Bernhard Gutmann
German (Resident in U.S) 1869-1936
Bingham, George Caleb Bingham, George Caleb
American Realist Painter, 1811-1879
BIONDO, Giovanni del BIONDO, Giovanni del
Italian painter, Florentine school (active 1356-1392 in Florence)
BLEKER, Gerrit Claesz BLEKER, Gerrit Claesz
Dutch painter (active 1625-1656 in Haarlem)
Blythe David Gilmour Blythe David Gilmour
American Painter, 1815-1865
BOCCATI, Giovanni BOCCATI, Giovanni
Italian Painter, ca.1420-1487
BOLTRAFFIO, Giovanni Antonio BOLTRAFFIO, Giovanni Antonio
Italian High Renaissance Painter, ca.1466-1516
BUGIARDINI, Giuliano BUGIARDINI, Giuliano
Italian painter, Florentine school (b. 1475, Firenze, d. 1554, Firenze)

       PREVIO  1  2  3  4  5  6  7  8  9  10  11  12  13  14  15  16  17  18  19   PROXIMO
  

China de Xiamen el Petróleo al por mayor que Pinta la Barra de Soga Marco al por mayor que Moldea el Espejo Pinturas Estiradas Encuadradas
CONTACTE EEUU