Resurrection 1400 Tempera on wood, 33,1 x 21,2 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Nativity are also in the same museum. , Artist: UNKNOWN MASTER, Flemish , Resurrection , 1401-1450 , Flemish , painting , religious
Pintura identificación:: 64180
5536 ago.
Artist: unknow artist Painting: Resurrection Information: 1400 Tempera on wood, 33,1 x 21,2 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Nativity are also in the same museum. , Artist: UNKNOWN MASTER, Flemish , Resurrection , 1401-1450 , Flemish , painting , religious
The Preaching 1475-80 Wood, 98 x 69 cm Musee du Louvre, Paris The painting, called also 'The Pastoral Sermon', shows in the background the church of St Gudule in Brussels. Consequently, the unknown painter of this panel is referred to as Master of the view of St Gudule. , Artist: UNKNOWN MASTER, Flemish , The Preaching of St Gery , 1451-1500 , Flemish , painting , religious
Pintura identificación:: 64179
5536 ago.
Artist: unknow artist Painting: The Preaching Information: 1475-80 Wood, 98 x 69 cm Musee du Louvre, Paris The painting, called also 'The Pastoral Sermon', shows in the background the church of St Gudule in Brussels. Consequently, the unknown painter of this panel is referred to as Master of the view of St Gudule. , Artist: UNKNOWN MASTER, Flemish , The Preaching of St Gery , 1451-1500 , Flemish , painting , religious
Nativity 1400 Tempera on wood, 33 x 21 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Resurrection are also in the same museum. The iconography of St Joseph in the Nativity panel is unusual. What we find here is the story of 'Joseph's stockings'. Jesus' father sits at the bottom of the panel, cutting up one of his leggings. Certain Middle Dutch and German Christmas carols tell that the Christ Child was swaddled in cloth cut from this undergarment. Aachen Cathedral once owned a relic said to be 'Joseph's Stockings', which were the subject of intense veneration in around 1400. It is likely, therefore, therefore, that this little panel was produced in the Aachen area (or at least the region between the Meuse and Rhine), probably some time around 1400. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1401-1450 , Flemish , painting , religious
Pintura identificación:: 64177
5536 ago.
Artist: unknow artist Painting: Nativity Information: 1400 Tempera on wood, 33 x 21 cm Museum Mayer van den Bergh, Antwerp This small panel originally belonged to a polyptych which was probably conceived as a portable altarpiece or devotional painting, as it could be folded up to a size that would fit readily into a small box or leather pouch. Other panels from the polyptych representing St Christopher and the Resurrection are also in the same museum. The iconography of St Joseph in the Nativity panel is unusual. What we find here is the story of 'Joseph's stockings'. Jesus' father sits at the bottom of the panel, cutting up one of his leggings. Certain Middle Dutch and German Christmas carols tell that the Christ Child was swaddled in cloth cut from this undergarment. Aachen Cathedral once owned a relic said to be 'Joseph's Stockings', which were the subject of intense veneration in around 1400. It is likely, therefore, therefore, that this little panel was produced in the Aachen area (or at least the region between the Meuse and Rhine), probably some time around 1400. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1401-1450 , Flemish , painting , religious
Scenes from the 1440s Oil on pinewood, 54,5 x 162 and 55 x 150 cm, respectively Wallraf-Richartz Museum, Cologne This minor Cologne master painting in popular style may well have worked in the studio of the Master of 1456. This studio was responsible for another cycle with the legend of St Ursula in the St Ursula Church in Cologne, the so-called `large cycle', dated 1456. Both panels, which belong to a series of fifteen, may have been used as the lids or doors of a reliquary. It is one of the oldest known extensive Ursula cycles. Hans Memling clearly drew inspiration from these panels for similar scenes in his Ursula Shrine. , Artist: UNKNOWN MASTER, German , Scenes from the 'Small Ursula Cycle' , 1401-1450 , German , painting , religious
Pintura identificación:: 64174
5536 ago.
Artist: unknow artist Painting: Scenes from the Information: 1440s Oil on pinewood, 54,5 x 162 and 55 x 150 cm, respectively Wallraf-Richartz Museum, Cologne This minor Cologne master painting in popular style may well have worked in the studio of the Master of 1456. This studio was responsible for another cycle with the legend of St Ursula in the St Ursula Church in Cologne, the so-called `large cycle', dated 1456. Both panels, which belong to a series of fifteen, may have been used as the lids or doors of a reliquary. It is one of the oldest known extensive Ursula cycles. Hans Memling clearly drew inspiration from these panels for similar scenes in his Ursula Shrine. , Artist: UNKNOWN MASTER, German , Scenes from the 'Small Ursula Cycle' , 1401-1450 , German , painting , religious
Graduale 1490-1508 Parchment Nationalbibliothek, Vienna The folio from this gradual with polyphonic masses contains the Missa Salve diva parens, from Kyrie I, by Jacob Obrecht (Hobrecht). View the portrait of the composer by Hans Memling. , Artist: MINIATURIST, Flemish , Graduale , 1451-1500 , Flemish , illumination , religious
Pintura identificación:: 64173
5536 ago.
Artist: unknow artist Painting: Graduale Information: 1490-1508 Parchment Nationalbibliothek, Vienna The folio from this gradual with polyphonic masses contains the Missa Salve diva parens, from Kyrie I, by Jacob Obrecht (Hobrecht). View the portrait of the composer by Hans Memling. , Artist: MINIATURIST, Flemish , Graduale , 1451-1500 , Flemish , illumination , religious
Portrait of the Artist and his Wife 1500 Wood, 97,7 x 57,7 cm (central part), 95,4 x 28,3 cm (each wing) Museum Mayer van den Bergh, Antwerp The two saints flanking the Virgin are St Catherine and St Barbara. , Artist: UNKNOWN MASTER, Flemish , Retable with the Virgin and Child , 1451-1500 , Flemish , sculpture , religious
Pintura identificación:: 64172
5536 ago.
Artist: unknow artist Painting: Portrait of the Artist and his Wife Information: 1500 Wood, 97,7 x 57,7 cm (central part), 95,4 x 28,3 cm (each wing) Museum Mayer van den Bergh, Antwerp The two saints flanking the Virgin are St Catherine and St Barbara. , Artist: UNKNOWN MASTER, Flemish , Retable with the Virgin and Child , 1451-1500 , Flemish , sculpture , religious
Nativity 1475-1500 Oil on oak panel, 35,8 x 30,5 cm Detroit Institute of Arts, Detroit The composition was inspired by the central panel of the Bladelin triptych (Berlin, Staatliche Museen) by Rogier van der Weyden. But as with Memling, the Virgin is here in an attitude of prayer (Nativity, Prado, Madrid; Floreins triptych, Memlingmuseum, Bruges). Formerly attributed to Van der Weyden and the Master of the Legend of St Catherine, it came to be regarded as a Bruges work by most art historians who expressed a view about it. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1451-1500 , Flemish , painting , religious
Pintura identificación:: 64145
5537 ago.
Artist: unknow artist Painting: Nativity Information: 1475-1500 Oil on oak panel, 35,8 x 30,5 cm Detroit Institute of Arts, Detroit The composition was inspired by the central panel of the Bladelin triptych (Berlin, Staatliche Museen) by Rogier van der Weyden. But as with Memling, the Virgin is here in an attitude of prayer (Nativity, Prado, Madrid; Floreins triptych, Memlingmuseum, Bruges). Formerly attributed to Van der Weyden and the Master of the Legend of St Catherine, it came to be regarded as a Bruges work by most art historians who expressed a view about it. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1451-1500 , Flemish , painting , religious
Adoration of the Magi 1500-10 Oil on oak panel, 151 x 115,5 cm Groeninge Museum, Bruges The altarpiece - shown in the original frame - probably hung in the Chapel of the Magi in the former Saint Donatian's Church in Bruges. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious
Pintura identificación:: 64144
5537 ago.
Artist: unknow artist Painting: Adoration of the Magi Information: 1500-10 Oil on oak panel, 151 x 115,5 cm Groeninge Museum, Bruges The altarpiece - shown in the original frame - probably hung in the Chapel of the Magi in the former Saint Donatian's Church in Bruges. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious
Scenes from the Legend of St George 1500-10 Oil on oak panel, 133,2 x 98,8 cm Groeninge Museum, Bruges There are two wings with episodes from the legend of St George in the Groeninge Museum in Bruges. They were painted by an unknown master in Bruges around the turn of century. , Artist: UNKNOWN MASTER, Flemish , Scenes from the Legend of St George , 1501-1550 , Flemish , painting , religious
Pintura identificación:: 64142
5537 ago.
Artist: unknow artist Painting: Scenes from the Legend of St George Information: 1500-10 Oil on oak panel, 133,2 x 98,8 cm Groeninge Museum, Bruges There are two wings with episodes from the legend of St George in the Groeninge Museum in Bruges. They were painted by an unknown master in Bruges around the turn of century. , Artist: UNKNOWN MASTER, Flemish , Scenes from the Legend of St George , 1501-1550 , Flemish , painting , religious
Passion Altarpiece 1490-95 Oak, 88,5 x 87,5 cm Museum Mayer van den Bergh, Antwerp Brabant workshops were world-famous in the 15th and 16th centuries for their carved and painted altarpieces. These works were not only designed for local use, they were exported all over Europe. Some altarpieces were extremely large, and only a few were produced on a miniature scale. This example in the Mater van den Bergh Museum is one of them. Small altarpieces of this kind were undoubtedly intended for private use. The little Passion altarpiece corresponds in form and style to the works produced in Brussels in around 1500. The mark of the Brussels joiners who made the case can still be seen, confirming the city of origin. It was once possible to close the altarpiece by means of painted wings. As so often, however, these have been lost. Nevertheless, the beautifully painted groups of carved figures tell us a great deal about the artistic talent of the painter and the rich colour scheme that must once have characterized the piece. , Artist: UNKNOWN MASTER, Flemish , Passion Altarpiece , 1451-1500 , Flemish , sculpture , religious
Pintura identificación:: 64140
5537 ago.
Artist: unknow artist Painting: Passion Altarpiece Information: 1490-95 Oak, 88,5 x 87,5 cm Museum Mayer van den Bergh, Antwerp Brabant workshops were world-famous in the 15th and 16th centuries for their carved and painted altarpieces. These works were not only designed for local use, they were exported all over Europe. Some altarpieces were extremely large, and only a few were produced on a miniature scale. This example in the Mater van den Bergh Museum is one of them. Small altarpieces of this kind were undoubtedly intended for private use. The little Passion altarpiece corresponds in form and style to the works produced in Brussels in around 1500. The mark of the Brussels joiners who made the case can still be seen, confirming the city of origin. It was once possible to close the altarpiece by means of painted wings. As so often, however, these have been lost. Nevertheless, the beautifully painted groups of carved figures tell us a great deal about the artistic talent of the painter and the rich colour scheme that must once have characterized the piece. , Artist: UNKNOWN MASTER, Flemish , Passion Altarpiece , 1451-1500 , Flemish , sculpture , religious
Folio from the Mayer van den Bergh Breviary 1510-15 Illumination on parchment,224 x 160 mm Museum Mayer van den Bergh, Antwerp All the features that earned the Ghent-Bruges workshop its success and fame are present in the Mayer van den Bergh Breviary's miniatures. They include the margin decoration, painted in tromp-l'oeil, often with a strewn flower motif. This new brilliantly detailed observation of nature and representation of the human figure anticipates the Renaissance approach. , Artist: MINIATURIST, Flemish , Folio from the Mayer van den Bergh Breviary , 1501-1550 , Flemish , illumination , religious
Pintura identificación:: 64137
5537 ago.
Artist: unknow artist Painting: Folio from the Mayer van den Bergh Breviary Information: 1510-15 Illumination on parchment,224 x 160 mm Museum Mayer van den Bergh, Antwerp All the features that earned the Ghent-Bruges workshop its success and fame are present in the Mayer van den Bergh Breviary's miniatures. They include the margin decoration, painted in tromp-l'oeil, often with a strewn flower motif. This new brilliantly detailed observation of nature and representation of the human figure anticipates the Renaissance approach. , Artist: MINIATURIST, Flemish , Folio from the Mayer van den Bergh Breviary , 1501-1550 , Flemish , illumination , religious
Death of the Virgin 1515-25 Oil on wood, 100,4 x 51,7 cm Museum Mayer van den Bergh, Antwerp This unusual Mannerist painting is a masterpiece of Antwerp Mannerism. The artist is referred to as the Master of Amiens. , Artist: UNKNOWN MASTER, Flemish , Death of the Virgin , 1501-1550 , Flemish , painting , religious
Pintura identificación:: 64136
5537 ago.
Artist: unknow artist Painting: Death of the Virgin Information: 1515-25 Oil on wood, 100,4 x 51,7 cm Museum Mayer van den Bergh, Antwerp This unusual Mannerist painting is a masterpiece of Antwerp Mannerism. The artist is referred to as the Master of Amiens. , Artist: UNKNOWN MASTER, Flemish , Death of the Virgin , 1501-1550 , Flemish , painting , religious
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