El Petróleo al por mayor de China que Pinta el Espejo de Marco que Moldea
Pintura:: all people --> Estilo:: religious
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Artist: CHARONTON, Enguerrand
CHARONTON, Enguerrand The Coronation of Mary jkh china oil painting reproduction

The Coronation of Mary jkh
1454 Oil n panel, 183 x 220 cm Hospice, Villeneuve-les-Avignon
Pintura identificación::  6009
7459 ago.
Artist: CHARONTON, Enguerrand
Painting: la Coronación de la Virgen Maria jkh
Information: 1454 óleo n panel, 183 x 220 cm Hospice, Villeneuve-les-Avignon

Artist: CERUTI, Giacomo
CERUTI, Giacomo Annunciation klj china oil painting reproduction

Annunciation klj
c. 1644 Oil on canvas, 74,3 x 54,6 cm Ferens Art Gallery, Hull
Pintura identificación::  5992
7459 ago.
Artist: CERUTI, Giacomo
Painting: la Anunciación klj
Information: c. 1644 Óleo en lona, 74,3 x 54,6 cm Ferens Art Galería, Hull

Artist: CERUTI, Giacomo
CERUTI, Giacomo The Annunciation kljk china oil painting reproduction

The Annunciation kljk
Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.
Pintura identificación::  5991
7459 ago.
Artist: CERUTI, Giacomo
Painting: la Anunciación kljk
Information: Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king-s chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment- instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto -Louvre, Paris-. Champaigne-s art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.

Artist: CEREZO, Mateo
CEREZO, Mateo The Mystic Marriage of St Catherine klj china oil painting reproduction

The Mystic Marriage of St Catherine klj
1660 Oil on canvas, 207 x 163 cm Museo del Prado, Madrid
Pintura identificación::  5986
7459 ago.
Artist: CEREZO, Mateo
Painting: la Boda Mistica de Santa Catalina klj
Information: 1660 Óleo en lona, 207 x 163 cm Museo del Prado, Madrid

Artist: CEREZO, Mateo
CEREZO, Mateo Assumption of Mary khj china oil painting reproduction

Assumption of Mary khj
Oil on canvas, 237 x 169 cm Museo del Prado, Madrid
Pintura identificación::  5985
7459 ago.
Artist: CEREZO, Mateo
Painting: suposición de Virgen
Information: Óleo en lona, 237 x 169 cm Museo del Prado, Madrid

Artist: CAVAROZZI, Bartolomeo
CAVAROZZI, Bartolomeo St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g china oil painting reproduction

St Ursula and Her Companions with Pope Ciriacus and St Catherine of Alexandria g
1608 Oil on canvas, 280 x 220 cm Basilica di San Marco, Rome
Pintura identificación::  5982
7459 ago.
Artist: CAVAROZZI, Bartolomeo
Painting: St Ursula y sus Compañeros con Papa Ciriacus y San Catalina de Alejandría g
Information: 1608 Óleo en lona, 280 x 220 cm Basilica di San Marco, Roma

Artist: CAVALLINO, Bernardo
CAVALLINO, Bernardo Esther and Ahaseurus df china oil painting reproduction

Esther and Ahaseurus df
1645-50 Oil on canvas, 75 x 102 cm Galleria degli Uffizi, Florence
Pintura identificación::  5980
7459 ago.
Artist: CAVALLINO, Bernardo
Painting: Esther y Ahaseurus df
Information: 1645-50 Óleo en lona, 75 x 102 cm Galleria degli Uffizi, Florencia

Artist: CAVALLINI, Pietro
CAVALLINI, Pietro Annunciation vfhdfhs china oil painting reproduction

Annunciation vfhdfhs
1291 Mosaic Santa Maria in Trastevere, Rome
Pintura identificación::  5974
7459 ago.
Artist: CAVALLINI, Pietro
Painting: la Anunciación vfhdfhs
Information: 1291 Mosaic Santa Maria en Trastevere, Roma

Artist: CAVALLINI, Pietro
CAVALLINI, Pietro The Last Judgement (detail of the Apostles) fg china oil painting reproduction

The Last Judgement (detail of the Apostles) fg
1295-1300 Fresco Santa Cecilia in Trastevere, Rome
Pintura identificación::  5973
7459 ago.
Artist: CAVALLINI, Pietro
Painting: el último Juicio -detalle of the Apostles- fg
Information: 1295-1300 Fresco Santa Cecilia en Trastevere, Roma

Artist: CATARINO
CATARINO Coronation of the Virgin fd china oil painting reproduction

Coronation of the Virgin fd
1375 Tempera on panel, 89 x 58 cm Gallerie dell'Accademia, Venice
Pintura identificación::  5965
7459 ago.
Artist: CATARINO
Painting: la Coronación de la Virgen fd
Information: 1375 Tempera en panel, 89 x 58 cm Gallerie dell-Accademia, Venecia

Artist: CASTELLO, Valerio
CASTELLO, Valerio Rebecca at the Well df china oil painting reproduction

Rebecca at the Well df
Oil on canvas, 80 x 55,5 cm The Hermitage, St. Petersburg
Pintura identificación::  5959
7459 ago.
Artist: CASTELLO, Valerio
Painting: Rebecca at the Well df
Information: Óleo en lona, 80 x 55,5 cm Ermita, St. Petersburg

Artist: CASTELLO, Valerio
CASTELLO, Valerio Moses Striking the Rock dfg china oil painting reproduction

Moses Striking the Rock dfg
Oil on canvas Mus??e du Louvre, Paris
Pintura identificación::  5958
7459 ago.
Artist: CASTELLO, Valerio
Painting: Moses patinan en la roca dfg
Information: Óleo en lona Mus??e du Louvre, Paris

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Pintura:: people --> Estilo:: religious

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