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Artist: unknow artist
unknow artist Trinity Piet china oil painting reproduction

Trinity Piet
1415-30 Oil on oak panel, 23,2 x 15,9 cm Wallraf-Richartz Museum, Cologne The Man of Sorrows in the arms of God the Father with the Holy Ghost between them both is a kind of Seat of Mercy or more exactly a Trinity Piet? The type is met with frequently in French and Burgundian court painting from the end of the fourteenth century onwards. One of the best known and earliest preserved examples is the tondo by Jean Malouel in the Louvre. Both in the common Man of Sorrows type and in the Trinity Piet? angels are often supporting Christ's body on both sides or carrying instruments of the Passion. The small Cologne work is part of this tradition. The Man of Sorrows is flanked by four angels, with two of them holding the Flagellation column, the scourge, the stick with the sponge and the lance. This type clearly forms the basis of the Man of Sorrows borne by an angel by Master Francke which in turn led to the Virgin showing Man of Sorrows by Memling (Melbourne). The reverse features a Holy Face of Christ. The panel is attributed to the Master of Sankt Laurenz (St Lawrence), the pupil of the Cologne Master of St Veronica. It is also assumed that this small panel was the left wing of a diptych having, on the right, a Mater Dolorosa. , Artist: UNKNOWN MASTER, German , Trinity Piet? , 1401-1450 , German , painting , religious
Måleriet Identifieringen ::  64135
5395 ago.
Konstnär: unknow artist
Målning: Trinity Piet
Information: 1415-30 Oil on oak panel, 23,2 x 15,9 cm Wallraf-Richartz Museum, Cologne The Man of Sorrows in the arms of God the Father with the Holy Ghost between them both is a kind of Seat of Mercy or more exactly a Trinity Piet? The type is met with frequently in French and Burgundian court painting from the end of the fourteenth century onwards. One of the best known and earliest preserved examples is the tondo by Jean Malouel in the Louvre. Both in the common Man of Sorrows type and in the Trinity Piet? angels are often supporting Christ's body on both sides or carrying instruments of the Passion. The small Cologne work is part of this tradition. The Man of Sorrows is flanked by four angels, with two of them holding the Flagellation column, the scourge, the stick with the sponge and the lance. This type clearly forms the basis of the Man of Sorrows borne by an angel by Master Francke which in turn led to the Virgin showing Man of Sorrows by Memling (Melbourne). The reverse features a Holy Face of Christ. The panel is attributed to the Master of Sankt Laurenz (St Lawrence), the pupil of the Cologne Master of St Veronica. It is also assumed that this small panel was the left wing of a diptych having, on the right, a Mater Dolorosa. , Artist: UNKNOWN MASTER, German , Trinity Piet? , 1401-1450 , German , painting , religious

Artist: unknow artist
unknow artist Triptych with Scenes from the Life of Christ china oil painting reproduction

Triptych with Scenes from the Life of Christ
1500-05 Oil on panel Private collection, Milan The picture represents scene 21 of the right wing, the Resurrection. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious
Måleriet Identifieringen ::  64134
5395 ago.
Konstnär: unknow artist
Målning: Triptych with Scenes from the Life of Christ
Information: 1500-05 Oil on panel Private collection, Milan The picture represents scene 21 of the right wing, the Resurrection. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious

Artist: unknow artist
unknow artist Triptych with Scenes from the Life of Christ china oil painting reproduction

Triptych with Scenes from the Life of Christ
1500-05 Oil on panel Private collection, Milan The picture represents scene 9 of the central panel, the Carrying of the Cross. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious
Måleriet Identifieringen ::  64133
5395 ago.
Konstnär: unknow artist
Målning: Triptych with Scenes from the Life of Christ
Information: 1500-05 Oil on panel Private collection, Milan The picture represents scene 9 of the central panel, the Carrying of the Cross. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious

Artist: unknow artist
unknow artist Triptych with Scenes from the Life of Christ china oil painting reproduction

Triptych with Scenes from the Life of Christ
1500-05 Oil on panel Private collection, Milan The picture represents scene 2 of the left wing, the Visitation. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious
Måleriet Identifieringen ::  64132
5395 ago.
Konstnär: unknow artist
Målning: Triptych with Scenes from the Life of Christ
Information: 1500-05 Oil on panel Private collection, Milan The picture represents scene 2 of the left wing, the Visitation. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious

Artist: unknow artist
unknow artist Triptych with Scenes from the Life of Christ china oil painting reproduction

Triptych with Scenes from the Life of Christ
1500-05 Oil on panel, 58 x 46 cm (centre), 57,5 x 16,5 cm (each wing) Private collection, Milan This remarkable work which came to light recently seems to be by the same Memling follower who painted the Santa Barbara Lamentation (Museum of Art). In the larger Lamentation, however, the painter is more precise in the details than in the miniature scenes, which seem to be painted with an unruly brush. Typologically, however, everything corresponds: the rather stiff figures with wooden gestures and attitudes, the hard folds, the trees with thick burly foliage, the plump clouds with heavy lighted edges. Remarkable about this triptych is the fact that many of the little scenes have been taken from well-known Memling compositions: it is largely conceived as a pastiche of Memling fragments. From left to right and from top to bottom, the triptych contains the following scenes: Left wing 1. Annunciation 2. Visitation 3. Nativity 4. Jesus among the Pharisees Central panel 5. Presentation in the Temple 6. Flight into Egypt 7. Mourning Mary and Joseph 8. Flagellation 9. Carrying of the Cross 10. Crucifixion 11. Lamentation 12. Entombment 13. Circumcision 14. Mount of Olives 15. Christ at the column 16. Christ released from the Flagellation column by Mary and John 17. Crowning with Thorns 18. Mocking of Christ 19. Christ nailed to the Cross 20. Crucifixion Right panel 21. Resurrection 22. Ascension 23. Descent of the Holy Ghost 24. Death of the Virgin. The work is popular in conception and there is hardly any logic in the arrangement of the scenes. Following the example of contemporaneous miniature painting (Simon Bening) they are enclosed in a painted window in early Renaissance style. Only the wings are arranged in chronological order with scenes from the Childhood and scenes after the Christ's death. In the central panel, which is mainly devoted to the Passion, everything is mixed up. Spatially the artist has shown a degree of circumspection, for the scenes at the top have a very low horizon, while the lower scenes exhibit the usual foreshortening in successive plans. The conscious reference to various works by Memling (with some scenes possibly deriving from lost compositions) clearly points to a painter who had access to these works while they were still in the workshop or to whom working drawings were available. It is also remarkable that the borrowings come from late works. It can be assumed therefore that we are here dealing with a student or assistant of Memling. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ , 1501-1550 , Flemish , painting , religious
Måleriet Identifieringen ::  64131
5395 ago.
Konstnär: unknow artist
Målning: Triptych with Scenes from the Life of Christ
Information: 1500-05 Oil on panel, 58 x 46 cm (centre), 57,5 x 16,5 cm (each wing) Private collection, Milan This remarkable work which came to light recently seems to be by the same Memling follower who painted the Santa Barbara Lamentation (Museum of Art). In the larger Lamentation, however, the painter is more precise in the details than in the miniature scenes, which seem to be painted with an unruly brush. Typologically, however, everything corresponds: the rather stiff figures with wooden gestures and attitudes, the hard folds, the trees with thick burly foliage, the plump clouds with heavy lighted edges. Remarkable about this triptych is the fact that many of the little scenes have been taken from well-known Memling compositions: it is largely conceived as a pastiche of Memling fragments. From left to right and from top to bottom, the triptych contains the following scenes: Left wing 1. Annunciation 2. Visitation 3. Nativity 4. Jesus among the Pharisees Central panel 5. Presentation in the Temple 6. Flight into Egypt 7. Mourning Mary and Joseph 8. Flagellation 9. Carrying of the Cross 10. Crucifixion 11. Lamentation 12. Entombment 13. Circumcision 14. Mount of Olives 15. Christ at the column 16. Christ released from the Flagellation column by Mary and John 17. Crowning with Thorns 18. Mocking of Christ 19. Christ nailed to the Cross 20. Crucifixion Right panel 21. Resurrection 22. Ascension 23. Descent of the Holy Ghost 24. Death of the Virgin. The work is popular in conception and there is hardly any logic in the arrangement of the scenes. Following the example of contemporaneous miniature painting (Simon Bening) they are enclosed in a painted window in early Renaissance style. Only the wings are arranged in chronological order with scenes from the Childhood and scenes after the Christ's death. In the central panel, which is mainly devoted to the Passion, everything is mixed up. Spatially the artist has shown a degree of circumspection, for the scenes at the top have a very low horizon, while the lower scenes exhibit the usual foreshortening in successive plans. The conscious reference to various works by Memling (with some scenes possibly deriving from lost compositions) clearly points to a painter who had access to these works while they were still in the workshop or to whom working drawings were available. It is also remarkable that the borrowings come from late works. It can be assumed therefore that we are here dealing with a student or assistant of Memling. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ , 1501-1550 , Flemish , painting , religious

Artist: El Greco
El Greco assumption of the virgin china oil painting reproduction

assumption of the virgin
painted 1608-13 127x65 museum of san vicente, toledo
Måleriet Identifieringen ::  64084
5395 ago.
Konstnär: El Greco
Målning: assumption of the virgin
Information: painted 1608-13 127x65 museum of san vicente, toledo

Artist: El Greco
El Greco baptism of christ china oil painting reproduction

baptism of christ
painted c. 1609-14,cossio 162x76 hospital of san juan bautista, toledo
Måleriet Identifieringen ::  64083
5395 ago.
Konstnär: El Greco
Målning: baptism of christ
Information: painted c. 1609-14,cossio 162x76 hospital of san juan bautista, toledo

Artist: El Greco
El Greco the vision of st. john china oil painting reproduction

the vision of st. john
painted 1604-14,cossio 87x76 the metropolitan museum of art, new york
Måleriet Identifieringen ::  64082
5395 ago.
Konstnär: El Greco
Målning: the vision of st. john
Information: painted 1604-14,cossio 87x76 the metropolitan museum of art, new york

Artist: El Greco
El Greco descent of the holy ghost china oil painting reproduction

descent of the holy ghost
painted 1607-14,cossio; 1603-6,mayer 108x50 the prado museum, madrid
Måleriet Identifieringen ::  64080
5395 ago.
Konstnär: El Greco
Målning: descent of the holy ghost
Information: painted 1607-14,cossio; 1603-6,mayer 108x50 the prado museum, madrid

Artist: El Greco
El Greco christ on the mount of olives china oil painting reproduction

christ on the mount of olives
painted during the last period national gallery, london
Måleriet Identifieringen ::  64079
5395 ago.
Konstnär: El Greco
Målning: christ on the mount of olives
Information: painted during the last period national gallery, london

Artist: El Greco
El Greco christ on the mount of olives china oil painting reproduction

christ on the mount of olives
painted during the last period nation gallery
Måleriet Identifieringen ::  64078
5395 ago.
Konstnär: El Greco
Målning: christ on the mount of olives
Information: painted during the last period nation gallery

Artist: El Greco
El Greco christ on the mount of olives china oil painting reproduction

christ on the mount of olives
painted during the last period 40x52 national gallery, london
Måleriet Identifieringen ::  64077
5395 ago.
Konstnär: El Greco
Målning: christ on the mount of olives
Information: painted during the last period 40x52 national gallery, london

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Olja Måleriet:: people --> Style:: religious

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