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Artist: BEUCKELAER, Joachim
BEUCKELAER, Joachim The Vegetable Market china oil painting reproduction

The Vegetable Market
1567 Oil on panel 149 x 215 cm Koninklijk Museum voor Schone Kunsten, Antwerp Joachim Beuckelaer took the market and kitchen painting created by Pieter Aertsen, and developed them into an independent genre which remained popular until well into the 17th century. The didactic element of Beuckelaer's paintings did not manifest itself in propaganda on behalf of Catholic orthodoxy, but in the cheerful censure of the wickedness of worldly pleasure. His paintings are full of allusions to sensuality, sexuality and fertility, with vegetables, fruit, fish, meat and cooking utensils piled up around a few figures. In his best works, Beuckelaer mixes a strong sense of space and detail on the one hand, with unity of composition on the other. Artist:BEUCKELAER, Joachim Title: The Vegetable Market, 1551-1600, Flemish , painting , still-life
Måleriet Identifieringen ::  64563
5417 ago.
Konstnär: BEUCKELAER, Joachim
Målning: The Vegetable Market
Information: 1567 Oil on panel 149 x 215 cm Koninklijk Museum voor Schone Kunsten, Antwerp Joachim Beuckelaer took the market and kitchen painting created by Pieter Aertsen, and developed them into an independent genre which remained popular until well into the 17th century. The didactic element of Beuckelaer's paintings did not manifest itself in propaganda on behalf of Catholic orthodoxy, but in the cheerful censure of the wickedness of worldly pleasure. His paintings are full of allusions to sensuality, sexuality and fertility, with vegetables, fruit, fish, meat and cooking utensils piled up around a few figures. In his best works, Beuckelaer mixes a strong sense of space and detail on the one hand, with unity of composition on the other. Artist:BEUCKELAER, Joachim Title: The Vegetable Market, 1551-1600, Flemish , painting , still-life

Artist: BEUCKELAER, Joachim
BEUCKELAER, Joachim Village Feast china oil painting reproduction

Village Feast
113 x 162 cm The Hermitage, St. Petersburg Artist:BEUCKELAER, Joachim Title: Village Feast, 1551-1600, Flemish , painting , genre
Måleriet Identifieringen ::  64562
5418 ago.
Konstnär: BEUCKELAER, Joachim
Målning: Village Feast
Information: 113 x 162 cm The Hermitage, St. Petersburg Artist:BEUCKELAER, Joachim Title: Village Feast, 1551-1600, Flemish , painting , genre

Artist: MASSYS, Quentin
MASSYS, Quentin St Anne Altarpiece china oil painting reproduction

St Anne Altarpiece
1507-08 Oil on wood Mus?es Royaux des Beaux-Arts, Brussels The right wing shows St Anne on her death bed, covered with a red sheet, her face pale, her mouth half open, as if she had just breathed her last. Mary Salome, who has collapsed with grief, wipes the tears from her cheeks. Artist:MASSYS, Quentin Title: St Anne Altarpiece (right wing, detail), 1451-1500, Flemish , painting , religious
Måleriet Identifieringen ::  64560
5418 ago.
Konstnär: MASSYS, Quentin
Målning: St Anne Altarpiece
Information: 1507-08 Oil on wood Mus?es Royaux des Beaux-Arts, Brussels The right wing shows St Anne on her death bed, covered with a red sheet, her face pale, her mouth half open, as if she had just breathed her last. Mary Salome, who has collapsed with grief, wipes the tears from her cheeks. Artist:MASSYS, Quentin Title: St Anne Altarpiece (right wing, detail), 1451-1500, Flemish , painting , religious

Artist: unknow artist
unknow artist Smokers in an Interior china oil painting reproduction

Smokers in an Interior
1643 Oil on canvas, 117 x 137 cm Mus?e du Louvre, Paris Not all the Le Nain genre scenes depict peasants. Some of them show middle-class sitters, even rarer in art than the depiction of the poor. It is one of these larger 'bourgeois compositions' which admits the Le Nain brothers into that small group of painters capable of creating a masterpiece. This is the Smokers in an Interior in the Louvre, dated 1643. Its technique must have been learned during the painting of the Forge, but the brushwork is far more precise. The composition is much less original, being closer to the type familiar from the Dutch. The figures are grouped round a table illuminated by a solitary candle, and the figure on the left has fallen asleep at the table. In this painting it seems that the depiction of low life - here middle-class men smoking in an interior - has risen beyond its normal pictorial limitations to create a masterpiece which is, perforce, unexpected. While Nicolas Poussin was obsessed with the concept of beauty and with the need to be able to paint exactly what he thought, here the painter's desire arises from an opposite need, the need to observe. Each of the models appears to be a portrait, although it is difficult to explain why the sitters should have chosen to be depicted with such casualness. There is no clue to the possibility of a confraternity, although the curious emblems on the carpet on the table could be symbols of some secret society. The eerie quality of the picture is emphasized by the fall of the shadows on the faces and by the way in which the figures stare into space just like the peasants in other pictures and the seated figure on the right has all the appearance of being under the influence of some drug. There is no satisfactory explanation for such a picture; it is as if this trio of painters, observers of a small fragment of their times, never intended the meanings of their pictures to be divined. Artist:LE NAIN brothers Title: Smokers in an Interior, 1601-1650, French , painting , genre
Måleriet Identifieringen ::  64559
5418 ago.
Konstnär: unknow artist
Målning: Smokers in an Interior
Information: 1643 Oil on canvas, 117 x 137 cm Mus?e du Louvre, Paris Not all the Le Nain genre scenes depict peasants. Some of them show middle-class sitters, even rarer in art than the depiction of the poor. It is one of these larger 'bourgeois compositions' which admits the Le Nain brothers into that small group of painters capable of creating a masterpiece. This is the Smokers in an Interior in the Louvre, dated 1643. Its technique must have been learned during the painting of the Forge, but the brushwork is far more precise. The composition is much less original, being closer to the type familiar from the Dutch. The figures are grouped round a table illuminated by a solitary candle, and the figure on the left has fallen asleep at the table. In this painting it seems that the depiction of low life - here middle-class men smoking in an interior - has risen beyond its normal pictorial limitations to create a masterpiece which is, perforce, unexpected. While Nicolas Poussin was obsessed with the concept of beauty and with the need to be able to paint exactly what he thought, here the painter's desire arises from an opposite need, the need to observe. Each of the models appears to be a portrait, although it is difficult to explain why the sitters should have chosen to be depicted with such casualness. There is no clue to the possibility of a confraternity, although the curious emblems on the carpet on the table could be symbols of some secret society. The eerie quality of the picture is emphasized by the fall of the shadows on the faces and by the way in which the figures stare into space just like the peasants in other pictures and the seated figure on the right has all the appearance of being under the influence of some drug. There is no satisfactory explanation for such a picture; it is as if this trio of painters, observers of a small fragment of their times, never intended the meanings of their pictures to be divined. Artist:LE NAIN brothers Title: Smokers in an Interior, 1601-1650, French , painting , genre

Artist: Laurits Tuxen
Laurits Tuxen kunstnerens anden hustru med nina og yvonne i haven pa skagen china oil painting reproduction

kunstnerens anden hustru med nina og yvonne i haven pa skagen
1922 se
Måleriet Identifieringen ::  64544
5419 ago.
Konstnär: Laurits Tuxen
Målning: kunstnerens anden hustru med nina og yvonne i haven pa skagen
Information: 1922 se

Artist: Peter Severin Kroyer
Peter Severin Kroyer frokostgildet, hip, hip, hurra, china oil painting reproduction

frokostgildet, hip, hip, hurra,
1888 goteborg konstmuseum se
Måleriet Identifieringen ::  64519
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: frokostgildet, hip, hip, hurra,
Information: 1888 goteborg konstmuseum se

Artist: Peter Severin Kroyer
Peter Severin Kroyer hip, hip, hurra china oil painting reproduction

hip, hip, hurra
se
Måleriet Identifieringen ::  64517
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: hip, hip, hurra
Information: se

Artist: Peter Severin Kroyer
Peter Severin Kroyer vinhost i tyrol china oil painting reproduction

vinhost i tyrol
1901 privateje se
Måleriet Identifieringen ::  64516
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: vinhost i tyrol
Information: 1901 privateje se

Artist: Peter Severin Kroyer
Peter Severin Kroyer skagensjagere china oil painting reproduction

skagensjagere
1898 aarhus kunstmuseum
Måleriet Identifieringen ::  64513
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: skagensjagere
Information: 1898 aarhus kunstmuseum

Artist: Peter Severin Kroyer
Peter Severin Kroyer sct. hansblus pa skagens strand china oil painting reproduction

sct. hansblus pa skagens strand
1906 se
Måleriet Identifieringen ::  64505
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: sct. hansblus pa skagens strand
Information: 1906 se

Artist: Peter Severin Kroyer
Peter Severin Kroyer osteria i ravello china oil painting reproduction

osteria i ravello
1890 den hirschsprungske samling
Måleriet Identifieringen ::  64504
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: osteria i ravello
Information: 1890 den hirschsprungske samling

Artist: Peter Severin Kroyer
Peter Severin Kroyer morgen ved hornbak china oil painting reproduction

morgen ved hornbak
fiskerne kommer i land 1875 den hirschsprungske samling
Måleriet Identifieringen ::  64503
5419 ago.
Konstnär: Peter Severin Kroyer
Målning: morgen ved hornbak
Information: fiskerne kommer i land 1875 den hirschsprungske samling

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